Hi all!
As i can see the buzz word HDR and HLG is "just" a properly tone-mapped 10 bit video nowdays.
As far as i know RAW contains wider color gamut then human eyes can see, so that will not be a problem, 11,7EV dynamic range may fall short behind the required 15 EV, but hey, even GH5 can do it! (with 12 EV dynamic range...) 10 bit output is not a problem either.
Could you please tell me what is the workflow to grade/color correct MLRAW in post to get proper HLG output for HDR displays? (In Davinci Resolve)
As i can see the buzz word HDR and HLG is "just" a properly tone-mapped 10 bit video nowdays.
As far as i know RAW contains wider color gamut then human eyes can see, so that will not be a problem, 11,7EV dynamic range may fall short behind the required 15 EV, but hey, even GH5 can do it! (with 12 EV dynamic range...) 10 bit output is not a problem either.
Could you please tell me what is the workflow to grade/color correct MLRAW in post to get proper HLG output for HDR displays? (In Davinci Resolve)