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Topics - Brawl

#1
Hi, there is any post-processing technique you can share with me to fix colored aliasing?

Thx a lot and stay safe

<3
#2
Hi I have a fast enough sandisk cf (the faster model) and the latest nightly built installed on my canon 7d and I'm trying to record at non crop sensor (max resolution), but after one minute the recording stops automatically. So I turned off global draws and the recording time increased to one minute and 20 seconds.
I wish to record longer footage in raw I need it for a documentary I'm trying to shoot with no budget. Can you give me an advice about which option can I try to tweak other than "global draw" turned off please? Is it theoretically possible to obtains what I'm trying to reach? (did you reached continuous recording at default full sensor non crop resolution?)
Thx
#3
Someone somewhere said that there was an indy film shot entirely with 3 yognuo led lights. I wish to see that movie but I don't remember anything (the title, the name of the director).

Another clue is that the movie was shot with magic lantern raw video 5D Mark 3. I remember I saw the trailer and the photography was really beautiful.

All I remember is a scene inside an appartament, without fast actions. I can remember the use of the strong red light, and maybe blue light. Very intense and vibrant colors from the lights (I suppose they used some colored gel). I can remember someone in a badroom maybe.

Thanks!
#4
I'm really undecided. I work as sound designer for indipendent cinema and documentary projects. I'm some kind of student to be clear. I did already a movie, and various short movies, now I'm shooting a documentary (usually at budget 0). I use basically a shotgun mic with a boom pole when I take audio and I never had a budget to buy more expansive gear. But now I could probably buy a pair of wireless lavalier mics that I saw on amazon and some tech forum.


I wish to simply ask you if you used those kind of wireless mic equipment in your works or if you have seen someone using it, if you can tell me about those lavaliers if they played an important role in some project where you worked in. To get inspired.

thanks a lot!
#5
I bought a vaf filter for canon 7D to fix aliasing probelms on this camera for raw shooting, and now I'm waiting mosaic will ship it to me. the problem is that now I'm full of fear that I did a wrong buy because I did some tests with canon 7D raw and it seems that if start to do color correction there is a lot of noise rising up the blacks and exposure.
basically my fear is that dooing color correction and changing values as blacks, gamma, exposure, will be useless. so I wish to understand considering my camera seems to suffer a lot of noise if shooting in raw will anyway be a good idea.
being honest my economic problems are so huge that I could never watch to better dslr or black magic. so I bought a used 7D and now after a lot of time I added the vaf filter. I had a fast 128gb compact flash for my birthday and after some day I bought the anti aliasing filter. before my birthday I only had one 16gb compact flash I say this only to explain that I basically invested all I had in this project.
I wish to study raw video because I hope one day I will be able to work doing this. My fear is that I did it all wrong.
I hope you can reassure a little bit please.
#6
hello friends, I wish to shoot a short movie in crop mode with my 7D but there is a problem. I wish to shoot with ml preview and global draw off. while the image displayed on the screen is 5x the record is not taken at 5x: I can record at 1600x900 wich is at 5.24x or at 1920x1080 that is at 4.37x.

I wish to select a resolution that is exactly the same (or closest as possible) of the wide that the Canon display show when is at 5x: is it possible to select a custom resolution that may match it?

thx a lot
#7
I wish so much to try avoid vertical banding using this technique. The problem is that I really didn't understand how it works.

I'm good to load the module I wish to know so much how to setup correctly please.

I have found this post from another topic,

Quote


The 7D is one of the cameras, that really benefits from ETTR.

You can try shooting at ISO 800 for reduced banding noise, but you'll probably need an ND filter for most movie recording.


@Audionut if you walk around here it would be really great if you can explain a little bit of this technique please.





thx a lot!
#8
is it possible that after the porting of linux on the DSLR canon you could implement new features such as recording 12 bit (pro res or other codecs), 1080p 60fps and awesome stuff like that?

thx!
#9
If I'm not wrong when we shoot h.264 it's basically raw video convert to h264 in real time, and compressed to h264. similar to what happens when we shoot a photo in jpeg, it's raw converted to jpeg. when the conversion is done there is no turning back.
One of the benefits of shooting raw is that we can control blacks, shadows, highlights and whites in post-production.
is it possible to set those parameters before taking the video in h.264?
I mean for example before pressing the "rec button" watching the picture in live view, then changing those parameters, then in the end shooting pressing the rec button. Some kind of "pre-processing instead that "post-processing".
thx a lot!
#10
which affordable lenses to choose for shooting raw video in crop mode with 7D?
I'm searching for a 35 or 80mm full frame equivalent lens.
I'm also open to DIY solutions. Thanks a lot!

p.s.

I wish to understand better, if I buy 8mm full frame lens and I shoot raw video in crop mode on the 7D do I obtain 8mm x 3 x 1.6 = 38mm equivalent on a FF sensor?
I was searching for any aps-c "samyang 8mm raw video crop mode" and I couldn't find anything, can you help me to find one example please?  I wish to understand if the image will result distort.

thx!
#11
Hello I have found GOBE compact flash over amazon. is it a new brand? I didn't know it.

in the product description they say "This CF Card is designed for High Performance DSLRs, Full HD 3D 4K video & hacked DLRs"

I need the 64GB version, there are 2 options: which is it better the UDMA6 or the UDMA7? the UDMA7 is a little bit cheaper than the UDM6 (this confused me).

https://mygobe.com/products/memory-cards/compact-flash-cards.html?storage_capacity=34

I need continuous shooting at 1920x1080 raw video on 7D. do you know if this CF will work? did someone has made a test?

thx!
#12
Post-processing Workflow / edit
April 26, 2015, 02:32:02 PM
edit
#13
I'm tryng to find out a solution to bring the safety track rec for the Zoom H6.
Safety track allow to rec a second file at minus tot. db to prevent audio clipping. This can save the work if actors screams.
If actors scream using a limiter is not good because it compress the sound creating unnatural effect, something similar to a kazoo or a megaphone effect. so a professional recording tool should give you the possibility to have the safety track rec option to take two files with different decibel level recording. This will save the dynamic range of the voice if actors scream. And sometimes they will scream if you work in film industry.
So I decided to make a test with a Y cable and the Zoom H6 to find a diy solution but I failed the experiment. Current firmware is v2.0.
You can find my test here: https://www.youtube.com/watch?v=eT2MlOBvDmk
This test show that is impossible to have a working safety track rec for phantom powered mics on the Zoom H6.
Firmware v2.0 does not allow safety track rec for phantom powered mics.
I wrote to Zoom company to ask this feature in the next firmware update, it's the only solution.
The external unit Zoom EXH-6 will not solve this problem because it does not provide any phantom power.

Please guys if possible write to Zoom to ask them to implement the safety track in the zoom H6 channel 1-4 for phantom powered mics.

[email protected]
#14
ML default setting should be "LumaFast, over 99%".
If i press Q I have access to the settings.

Color Space: Luma Fast; RGB; Luma.
Underexposure: Disabled; from 1% (3) to 20% (51).
Overexposure: 70% (179) to 100% (255); Disabled
When recording: hide/show
Use RAW Zebras: Photo only; always; Off
Raw zebra underexposure: off; 0ev to 4ev.

which are the suggested settings for shooting raw video?

thx!
#15
I discovered there are almost two different tech of shock mounts.

the first one is this kind:



the second one is this:



which one will work the best for a hand held boompole in the field?
will the second one (second image) provide a good anti vibration isolation as the rubber band (first image)?

for field recording I mean hand held non static boom pole. the mount must be really solid. if it is not the mic will lose its position and it could eventually "try" to fall (it's connected with the cable so it should not).
for example try to read the one star review here.

quote:

"When I pay top dollar for a Rode product I expect it to work in a professional environment and this product has been a disappointment. Yes, it does isolate the handling noise of a boom pole quite well but the rubber bands do not support the weight of my Rode NTG-3 mic. The mic sags in the bands and tends to fall out of the mount in use. Good thing the mic cable was still holding the mic or my mic would have crashed to the ground several times. Plus, you look like a fool when you flub the take because your mic slid out of the mount. I even wrapped a rubber band around the mic base to "catch" on the mount's rubber and the mic still slid out of the mount. This mount sort of works on a static boom but is pretty much worthless on a hand held boom pole."

Source www.am*z*n.com (Rode SM4, shock mount review).
#16
Hello guys, can you help me to understand better this feature about the Tescam DR60dMKII please?

There should be an option to have a backup file recorded at minus decibel to prevent clipping. On Tescam wesite they wrote: DUAL MONO and DUAL STEREO mode:Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn't distorted.

source: http://tascam.com/product/dr-60dmkii/



Does this feature works also with phantom power mics (for example rode ntg3)? thx so much. :)



I ask this because for example my Zoom H6 does not have this safe rec option for external phantom power mics. Zoom H6 have this option only with the module EXH6 (sold separately). the problem is this. surprice: the module EXH6 does not allow phantom power.... So this recorder is useless if you use a phantom power mic with actors that can scream (so in my case is useless and I must sell my Zoom H6 and buy the tescam, if the safe rec works with phantom power).

http://www.amazon.it/EXH-6-Doppio-ingresso-Combo-Zoom/dp/B00TB297WU/ref=sr_1_10?ie=UTF8&qid=1426670829&sr=8-10&keywords=zoom+h6



I'm really in worry with Zoom, I also wrote to the company (an email) they said it's like I said: I can not have a backup rec to minus db with this device if I use a phantom power mic also with the EXH6 module. I wish to do not sell my Zoom H6 but unfortunatelly I have not enough money for both (zoom and tescam). I asked them for a firmware update they said:

To enable them, it is necessary to load more expensive CPU onto the unit. Anyway your opinion has been noted. Although we do not want a price boost by the increase in functions, we will forward your email to the development team for future reference.




So if you want to take audio for cinema or theatre/any actor performance, and you want to use a phantom power professional mic, do not buy Zoom H6. Unless you can ask to your actors to be quiet.
#17
I'm having problems with the last nightly build for 7D. the problem seems to be some kind of bud: when I push the recod button and than I push it again it does not stop to record. the red circle that indicate that the camera is still recording does not disappear if I click "stop recording". the only way to exit from that is to shut down the camera and then format the CF to remove magic lantern. 

magiclantern-Nightly.2014Oct08.7D203

I do not know is that possible that I do something wrong in my installation workflow?

What I do after format my CF is this:

1) follow this guide which i saved on my HDD. I used this guide to install ML

http://s12.postimg.org/62jopb0r0/Immagine_1.jpg

2) download the lastest build

3) open the build folder, then copy and then paste in the root of my CF.


I discovered that at the same address of that guide today there is a new message: http://www.magiclantern.fm/forum/index.php?topic=7464.0

The guide say to copy only the lastest nightly build for 7D on the clean CF and then run firmware update. I have not yet tryed it. do you have any suggestion please? Did I had that "rec button bug" because I was using an outdated guide?

thanks a lot for your support! :)


#18
I wish to color in Davinci but Davinci Lite does not have any noise reduction. I have lightroom which have a nice noise reduction utility for RAW: I wish to remove the noise in lightroom then continue my work in Davinci Lite. I did some experiments, but I failed.

I start with ML RawViewer, I make CDNG files from MLV file. I open those files with Ligtroom and then I apply to them some noise reduction. Then I export all the files in DNG or "same as source" (that is CDNG). I open those DNG in Davinci Lite but the noise is still there again, it looks like I have not used Lightroom to remove the noise.

some example:


ISO 6400, and heavy noise reduction (just for test).

lightroom before


lightroom after


davinci lite (the noise come back)






What can I do to allow Davinci Lite to see the noise reduction applied to my DNG from Lightroom please?



EDIT by SDX: please don't post images larger than 600px
#19
Hello I need suggestion about which CF are the best in terms of reliability. I need them for work so they must abosolutley have the reliability factor. I need them 90% for H264 and 10% for RAW video which will be more than 10% if the card is good enough. My budget is about 150 euro.

thx!
#20
I bought the Canon 7D after a long period of savings (years and years). I bought the Canon 7D becaus I belived in the RAW video potential. I study to be a film director and I wanted my workt to be in RAW (it's awesome).

Now I face this huge problem it's called "fixed pattern noise" it literally ruins the image and I want to fix it. I'm not a developer guy but I'm sure that if we cooperate togheter we can fix it in some way. I will never give up about this.

Maybe we can solve the problem in photoshop, maybe some developer will help us but in some way I need to start doing something. The time is passing and I do not see many developments on the horizon. So I wish to start taking the best picture of the fixed pattern noide that I can have. I wish to find a way to subtract the noise (like a compensation).

My tools are:

Canon 7D with ML and Bootflag
Computer notebook with Win7

Any advice will be greatly appreciated! bye! :)

#21
Hello I need to take audio in short movies and I'm actually using my Zoom H6. the problem is that his X/Y microphones are too much sensible and takes so much sound from the  surroundings environment.
I need a microphones that takes ony the voice of the actors also in ambience where it's too loud. is the rode ntg2 the right microphone?

I wish a michropnone that give a nice volume level when recording. and give not white noise. which is the best for my zoom h6? my budget is around 200 euros.

thanks a lot. :)
#22
General Chat / Volume levels for movies?
April 08, 2014, 03:33:39 PM
Hello I wish to set the right volumes for a short movie in audio post production. Which decibel would you set for separate music, voices, and sound fx?
When in the movie people talk the volume of the music must be less then before. And there are some sound effects which are louder than others, but in the most cases, when the music is alone, the voice also is alone, and the sound effects are "basic", which volumes do you set for cinema? thx 

p.s. if you can link to me some article, forum discussion, anything reguarding this I would really grateful. thanks again! :)
#23
If the lens can tell to the camera the distance of the subject could it be possible to set two different white balance in the same photo/frame?

I mean maybe I could use "cold" white balance for everything is very distant (mountains, sea,) and I could use in the same pic "warm" white balance for everything is very close to me (subject like people, close buildings, etc, etc...).



thx!

p.s.
My camera is the 7D if you need I could do some beta testing.
I imagine something like this (different colors from close to far). maybe those examples are not really rappresentative sorry.
#24
General Chat / How to Record a Gunshot with zoom H6?
March 31, 2014, 11:47:48 PM
I need to record the sound of a gun shot, my friends have a gun (with "no real bullets") but the sound is the same as the original bullets.
I have the zoom H6 but I do not know which volumes are the best to record such a loud sound. Maybe I will have only one chance to record it (only one bullet) so I wish to start with the right settings.

Thanks for help. :)
#25
Duplicate Questions / Slots for picture style
March 17, 2014, 01:39:08 PM
Can ML add more than 3 slots for Picture Styles on EOS DSLR?

thx
#26
Hello, before I reinstalled windows 7 on my PC I used to open pro res gorilla grain videos with Premiere CS6. Now that I have installed windows after the format I cannot remember which codec I had to install in my pc to let it see gorilla gran pro res videos. Do you have any idea?

thanks a lot



Edit.

The solution is to install this pack: http://avid.force.com/pkb/articles/en_US/download/en423319?popup=true&NewLang=en&DocType=1450

I had this link in my bookmarks (I had solved this problem one or two years ago then forgot)
#27
I'm considering about selling my 7D, if I will do it is it important to remove magic lanter first?
In my camera the current firmware is 2.3, what will happend if I sell the camera without removing the bootflag, and then the new owner will update the camera to 2.5 firmware?

if I want to bootflag off my camera all that I need to do are those full steps?

1) download the file bootoff.bsdiff
2) take a new compact flash (formatted one, first NTFS on PC than formatted on camera)
4) put only the bootflag.bsdiff file on my compact flash (no other files, no magic lantern, no anything)
5) put the CF in the 7D and do the firmware upgrade?

no need to use EOScard?

thanks for your help.
 
#28
I open a new topic so it can be found by other users who needs those info if they will search for it in the future.

Can you explain how to get magic lantern on a the second compact flash if we own a Canon 7D please?

I had some tips on another topic but I didn't understand the procedure. 

thanks a lot
#29
The past week I covered a live event with my 7D and also I did an interview, it have been a long work because I have been al those days in front of my monitor LCD, days and nights, like a long journey. those are my first works....

now that I have delivered my works to the man who asked me it I'm returned at home, I feel really tired, it's like if in those past days of work I couldn't see my fatigue and now it comes all together.

how many hours do you work in edit? how do you crop the portion of time to have a balance time for yourself?

thanks for your advices
#30
hello,  I have installed ML on my 7D with bootflag, it have been ok. the problem is that I'm not good to use it..... I'm tryng to watch some tutorial on youtube like this for example (but I do not understand it): http://www.youtube.com/watch?v=-cfxWadKEPQ


the problem is that yes I can access the ML menu by pressing the trash button. but after, when I press again the trash button I only can see the normal camera view layouts, like if magic lantern were not installed yet.
If I turn on zebra, focus peaking, histograms, magic zoom, or any other indicator, I cannot see them. everything is like before ML.

thx for help (I'm sure must be something of really basic that I have not uderstand yet)!
#31
hello I'm trying to understand how to install magic lanter on my 7D and I have read that I need the original Canon battery. or accessory with chip.
I have not Canon original battery (only fake). And I have a battery grip which is olso a third party tool. Will I be able to install magic lanter on my 7D with this equipment?
the battery grip is this: http://www.jinnetpower.com/products/For-Canon-EOS-7D-camera-battery-grip-BG-E7-with-CE-FCC-ROSH-certificate-1592540.html

thanks a lot for your help. :)
#32
does exist any way to reduce banding in h264 EOS 7D?

thanks for your help.

p.s. ad you know. other camera models as 550D, 600D suffer the same amount of banding in low light condition? I really wish to downgrade if it's like this.
#33
 hello, I wish to understand how to calculate the crop factor when shooting RAW. which calculations should I do?

for example RAW continuous shooting on 600D is 960x540. on 7D is 1728x972. on 5D Mark 2 is 1880 X 1016 if Reply #130 is right (here link )

thanks. :)
#34
Raw Video / can I ask you a little advice please?
September 29, 2013, 01:29:01 AM
I understand that today the market is changing, that maybe RAW is something that will be in some way "the future" in cinema also at low budget productions.
I need a camera to start making experiments in RAW. I have not so many money. Money are a problem for me today. I do not know if would be a safe idea to buy something like a BMPCC because it's really expansive for me, I can but I'm scared, and because maybe in 2 years it would be a very old hardware comparing to what seems will arrive soon (4k revolution etc, etc..).
So I wish go in cheaper way for some times do you agree can be a good idea?
I wish to ask which is better for RAW, 600D or 650D? and is it possible to obtain a clean image (no moire, no aliasing) in some way without having to buy a filter (VAF) which cost a lot of money?

thanks for help, sorry I really I do not know anymore what to do. I really I wish to start my studies as cinematographer, lighting and making a lot of experiments, I wish to do it in RAW because of the fidelity of its images. I would be really grateful for your help sirs.
#35
hello, I  need some devices to record the sound during shoots on short movies. I thought about a zoom h4n + 1 rode microphone, but which rode? and which would be the ideal audio gears to start taking sound on the film set? If you can give me an index I would be really grateful. Maybe they need something that I do not know.
thanks bye!
#36
I know that rolling shutter on h264 made impossible some shots, like fast lights. does rolling shutter RAW do the same of h264 or it's better on RAW?

thanks
#37
Hello, I have noticed in RAW videos (n Vimeo, Youtube) ugly vertical lines in shadow and dark areas. I can post examples if you wish.
I saw those lines also on h264 footage (taken by me with a 7D). In very dark areas those vertical lines are there.

Is this a general problem of all canon DSLRs? Can it be fixed?

I wish to know if for cinematography this could be a serious problem.

Thanks.
#38
Raw Video / RAW with VAF Filter
September 12, 2013, 11:34:05 AM
Hello, I wish to ask you if anyone have seen any footage/comparison of a RAW video shot with and without VAF filter.

I know that  the filter only works @1080p. RAW video on 7D, 5DII, 50D, 600D, etc, etc... are not @1080p. So how does/why it works if it works? And how good?

I admit I'm most interested to know how it works with a 7D because I need to buy one, but I believe the concept is applicable to different models.

Thx
#39
General Chat / I need a flash advice
September 11, 2013, 12:32:37 AM
Hello, I hope you can help me. I have some hours to decide. I have to choose between a Canon 7D used (10'000 photos) with 2 batteries, one third used party battery grip, 2 cf cards 16gb at 730 euros.... or a canon 600D new with 18-55 at 420 euros.

I wish to know if it'is worth to spend 310 euros difference to take the 7D instead of the 600D.

I need the camera to shoot videos like short films and maybe ("long films"), spots. for professional use. But I have not so much money.

310 could be used to buy Arri lights for example.... I need lights to learn how to light.... (I'm studying).  I do not know what to choose.

I wish to know if 7D is sharper than 600D or are the same considering that (if I'm not wrong) they have the same sensor.
I wish to know wich is the max clean Iso (with or without ML) for 7D and wich is for the canon 600D considering professional use.

The pro of the 600D is the 3x crop zoom that destroy -any aliasing-. Do the 7D have some similar implementation with ML?


With my budget I could buy (2 options).


Canon 600D + 18-55 + sd card, new
Sachtler ACE new
Arri lights (only one Fresnel 650w or 1000w).

or

Canon 7D used + 2 cf 16gb used + 2 batteries and one third used party battery grip
Sachtler ACE new

I have really a few hours to decide if you can help me my gratitude is very big! thanks! :)
#40
General Chat / 4:3 and 3:2 aspect ratio
September 10, 2013, 01:52:04 AM
Can we record 1.6x crop with 3:2 or 4:3 in h264 (non raw)?

Thanks
#41
General Help Q&A / can 550D defeat moire issues?
September 04, 2013, 11:47:46 AM
Hello, can the 550D defeat moire like the 600D do?

here is a video to explain



I wish to know if magic lantern introduced this features. Thanks a lot for your help! :)
#42
Wich camera  models today works flawlessly with RAW?

Wich models suffer less problems when shooting RAW (moire, aliasing)?

Where can I see the max resolution when shooting RAW for each model?

Wich software do I need to edit a video after shooting in RAW?

Where can I download RAW video to give it a try? (I wish to see if I can edit it with my PC config.)

Thanks a lot for your help! :)

#43
I know there are a lot of forum were to ask for this, but I really felt to ask in here because I wish to use the camera with magic lantern.
basically it's about 3 years that I'm wondering around and around reading for reviews, forums and everythink I can about DSLR for video, I know the common DSLR problems etc. etc... I wanted to buy the 600D because of the crop mode that have no aliasing and a nice zoom. but a little shop in my town sell a 550D with 18-55 IS at only 250 euros. what to do? do I should buy it ins'it? :) tomorrow moring I should go there at the shop I want to buy it. I'm in worry because I really need a DSLR to start doing something (have been passed 3 years) and I believe that a 600D would cost to me 60/100 euros more (always used). do I really need for that crop feature, and for the articulated LCD screen? the crop mode on the 600D have a good quality?

at last, the hardware limit of the SD card reader in the 550D is the same of the 600D? I'm not sure but I know you are doing experiment to have custom aspect ratio for video, for example good aspect ratio for anamorph shooting, I wish to be sure that the SD card speed limit of the 550D will not be a problem for having that.

thank you! :)
and sorry for my bad english! :)
#44
I have read the specs of the new camera for the PS4 console.

look

External Dimension    (tentative) Approx. 186mm x 27mm x 27mm (width x height x depth)
Weight    (tentative) Approx. 183g
Video Pixel    (Maximum) 1280 x 800 pixel x 2
Video Frame Rate    1280 x 800 @ 60fps
640 x 400 @ 120fps
320 x 192 @ 240fps
Video Format    RAW, YUV (uncompressed)
Lens    Dual Lenses, F value/F2.0 fixed focus
Capture Range    30cm~&inf;
Field-of-view    85°
Microphone    4 Channel Microphone Array
Connection Type    PS4 dedicated connector (AUX connector)
Cable Length    (tentative) Approx. 2m

http://www.ign.com/wikis/playstation-4/PlayStation_4_Eye

does it mean that it will shoot in RAW?
considering that the lens are 2.0 maybe could be a nice "hack" choice to shoot something in 3D stereo (maybe connecting it to the notebook I do not know). could it be?

#45
hello, I have read that the new hack on the canon's is capable to have RAW shooting in video! I have also read that is very important to have a CF slot because as much fast the card is ad much high pixel resolution you can take on a single frame. meanwhile I have discovered the BPCC (Blackmagic Pocket Cinema Camera) and it is capable to shoot in RAW 1080p on SD cards.

I wish to ask you wich is the difference?
Why the BPCC can shoot at 1080p RAW on SD cards but the Canon 550D can not?

thx a lot for the explanation!
#46
Hello to anyone, recently I have meet some specialists in video and audio and they all said to me "true cinema is at 24fps". in any advice on the audio/video they gave to me there was "use only 24fps  for cinema". those specialist operate with high level directors (cinematographers stars of the italian movie and from across the world, like also from Hollywood for example).
I wish to ask you if with ML is it possible to record at 24P instead of 23.976 fps. is it possible? I wish to do this in the Canon 600d european version.
thx!