Messages

Ah. Thank you. So i have to use my nd filter best wishes, sw

Ok, thx a1ex. I have tried to read it. So i will try to find the answer for my question, although the thread is a little bit too technical for my understanding. and i believe that i can remember that there was some progress for the 7d not 5d? Perhaps this is crap.. However greets sw

@ devs: can you please tell me whats the fastest shutter speed with silent pic right now (with canon 5d mk3 1.1.3) and would it be possible to update the silent.mo from time to time in the #1 post with all the newest additions for the different cams, especially canon 5d mk3 FW 1.1.3 )
or for simplification: would it make sense to add the new full res silent pic module to the nightlys.


thanx very much

Glad to see you coming back!! Welcome again a1ex!'

hi,

@dmilligan:
mlvfs worked so fine the last couple of month, its a great tool.
today i opened my working folder to remount some of the older mlvfs dirs, but suddenly safari can not link to the webhost, i get the message that the page could not be loaded..?
what happened. the files i try to mount are working normally..?
i run the latest fuse 2.7.4 drivers and the latest mlvfs

update: puh, i dont know why, but i had to "ignore the rights of the owner of the hdd" to make it work again. so if others have the same problems, just check the box of the information window of your drive.

best wishes, sw

a1ex has no time for merging that stuff into the 123 firmware since some month now. it all began when rawmagic came out. from that moment on, a1ex stopped the development. we can only hope that someday he continues to complete those fragments..
greets. sw

Hello andy! Thx for your detailed description. As a creative user and not a technican, i do not understand everything from your latest posts but!! if it is like you describe, why the hell are visioncolor or other developers developing so many luts (for different cameras)?? If it is all the same in raw, it should be useless.. You only need one film emulation per filmstock..? Visioncolor provides 50different stocks for 20 differen cams (or even more) which sums up to more than 1000 luts!! And there are also canon ml raw luts..(especially for canon raw material). Shouldnt look they similar to the bmdfilm camare material when they are all processed with resolve bmdfilm or bmdfilm 4k..?
Sorry man but i cant get it right in my head.. The material look just different..
So when i apply a cinelog-c lut to material recorded with a bmd cam and compare it and make the same with my canon material the output must look the same?? ( i think my program has bugs then;))
Greets sw

Sorry, i think you misunderstood my point of view andy.
What i wanted to tell you is that how can you transform a bmd dng and a 5d dng with the same lut to a cineon colorspace?? When i use a rec709 colorspace in resolves raw tab the colors look awful. Isnt it possible to transfer the sensor difference to match the real bmd sensors first..? How can i use one lut for both source material (bmd and canon)? Thats what i can not understand cause the final result (after cineloc-c transformation will look different cause of the different sensor outputs? No?? Hmmm

But andy: am i missing something??
In my case I have converted the canon 5d material in davinci from bmd film (cause bmdfilm4k is a bit darker) to cinelog-c.
In the next step - just out if interest - i converted it to bmdfilm.
As the real bmdfilm camera provides different sensor output, the raw material looks diffrrent. So in my case the material looks the same as the source material, so when i take a bmd lut, eg a bmdfilm to rec709 lut, it looks wrong. What i expected was the transformation to bmdfilm material (colorwise) when using the cinelog to bmdfilm lut. So thats not the case. Can you explain that please. Thx

Hi
Really nice showreel. I wonder which lenses were used..?

There are indeed some shots which seems to be shot with a 5d but many shots look like red
material..
Greets
Btw: i am also based in vienna

@Andy:

greenproblems:

thx for the new luts but they do not work in my case.
i hate to shoot in the middle of a sunny day with so many harsh lights but in this case, the time was limited so we have to take this shot. i know that it is possible to mangle the colors in resolve but i hoped that a lut solution could probably safe a lot of time. perhaps you can have a sneak look at the dng which is here:
https://copy.com/XzDWmt6JGpJk0n7v

thx. sw

thx. my prob is that i have just no compiling skills

hi,
so i downgraded to 1.1.3 with success
can somebody please be so kind to post an updated fullres silent pic module for the latest nightly of 1.1.3 5d mk3. thank you
greetings sw

great. thx dmilligan.
so we now only need silentpic fullres working for canon 5d mk3 123 ))
5 month no progression.. hope alex is back soon..
greets.

So is it possible to use silenpic fullres mlv with 5d mk3 123? Would be nice if it will finally work. I am waiting 5 month now.. but the hope never dies

Is it possible to speed up dual iso conversion (on mac) ?? Thx

Ups... Hahahah.. Sorry my friend

@google: are those latest changes also available for 5d mk3 123 ?? Thx

@andy600.
im looking forward to handle the green problem but unfortunately i think this is not possible.

very nice explained andy.. thank you.
i always denoise before i make any lut transforms but you can not do that in the lite version without 3rd party plugins like neat ofx..
however. well done. i will try out.
the problem which i always have is, that all the dslrs have problems with green gras.. most of the time that green looks just awful..
greet.s

edit: i got it. thx

hello @andy600
i just study your tutorial for davinci resolve and wonder why my use video monitor selection for scope the video monitor output not the timeline output is set to gray in the options menu.. is this only for the full resolve version?
greets swinxx

hello!

my 2 cents:
i have the walimex 35mm/f1.4 which is the same lens as the rokinin and samyang but with another branding (not the video version but with stepped aperture ring) and its really EXTREME SHARP!!! also full open!! beside the canon 135mm/f2.0 its the sharpest lens i have..
other sharp lenses are: the nikon 28mm/2.8 AI-s (best min. focus range) and the pentax 28mm/f2.0 (very, very rare)
greets. sw

@dmilligan:
hello, so 2 days ago you commited a silent service update
nice. thank you.

great.
greets sw

Hello my friends!

It has turned quite about Magic Lantern in the last month, so i dont wanna spend too much useless words about my sorrow...

have a nice holiday time with all your families and best wishes for 2015 - may your dreams come true!! Marry Christmas and
thank you magic lantern dev team for all your breathtaking effort to squeeze the shit out of our canon cams - who knows what comes next...

lets make a ML christmas wishlist:

- i for my part hope that we all see a1ex more often with some dev surprises in 2015

greetings, sw