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Etiquette, expectations, entitlement...
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Show posts MenuQuote from: DeafEyeJedi on February 20, 2019, 05:16:37 PM
Maybe share some trimmed samples of your original MLV shot in Dual-ISO for us to see and test with @olofen?
Quote from: Kharak on January 30, 2019, 10:27:20 AM"An external recorder is necesseary for direct playback on set"
If you set up the 5d3 for "normal" raw recording, in my opinion it is optimized for narrative. You cant get TC out anyways, so there is not much hocus pocus "optimizing" it for narrative work. Optimizing for narrative work with the 5d3 is more about preparations around the camera like with any camera.
I recommend Firmware version 1.2.3 for clean hdmi output.
The modules you need: Mlv_rec, mlv_play, Mlv_snd, File manager. Or if you are a familiar with ML then I recommend 22. July experimental build for lossless 14 bit, which will require some other modules loaded.
Set raw recording on, resolution 1920x1080 (mlv vanilla, continues)) with lossless 14 bit set to 1920x1280 for extra space of reframing.
Set fps override to Exact FPS at 23,976/24.000/25.000 (your preference)
set your Shutter Fine-tuning to get 180 degree shutter. E.g. 24.000 fps set shutter fine tuning to 0.86 for 1/48th.
Make sure mlv_sound is on
Turn on Raw Zebras (must have)
Dont use the waveform unless you shoot h264.
An external recorder is necesseary for direct playback on set, if you dont have one then a laptop with Mlvrawviewer for vanilla MLV's or FastCinemaDnG for lossless mlv real-time playback. Also MLV app is good for a checkup on files, but it does not have real-time playback.
About DNG look, it is all about interpretation in your preferred NLE/grading sofware. I recommend Davinci Resolve.
Typing on phone so this is getting tediously long, let me know if you have more questions.
Quote from: sibi-manjale on September 25, 2018, 10:56:37 PM
as i was using magic lantern for first time, i ddnt go very deep into settings.
i shoot in MLV raw full hd with 23.97 frames.
no dual iso or anything.
trans coding the footage was heck of a job. The transcoding app i used was crashing now and then.
graded in davinci resolve.
Quote from: masc on August 02, 2018, 08:42:27 PM
Yes you can use MLVApp for dual iso. Processing is 20bit (attaching low and high iso).
Quote from: masc on July 29, 2018, 10:02:50 AM
MLVApp should run on any computer which is able to run Windows 7 (or newer) and OSX 10.8 (or newer). For Linux: our AppImage should run on Ubuntu 14.04 LTS or newer (maybe others too which use similar versions of packages). If you compile yourself it could run on many different distros (you just need ffmpeg and >=Qt5.6).
Hardware plays nearly no role: no GPU needed for example. So it should run also on very old computers and notebooks.
Quote from: masc on July 19, 2018, 10:51:27 PM
Sure - this was the main idea of the app. But, what do you do in Photoshop, if you color correct in MLVApp? If you like the look more than from Adobes RAW processor, use it! AVI has only 8 or 10 bits bitdepth. ProRes 4444 (AVFoundation on OSX) has 12bit. TIFF would be absolutely uncompressed and really huge.
Quote from: masc on July 19, 2018, 10:43:23 AM
= RAW = CinemaDNG.
Quote from: masc on July 19, 2018, 12:08:00 AMWhat would you recommend - to make the adjustments in the MLV app as a Raw processor and export as processed Tiffs OR export as CinemaDNGs and process in a Raw processor like Photoshop?
No you don't get the same colour. But this is no question of bitdepth. MLVApp exports 16bit TIFF.
If you export TIFF directly you export processed data. If you export cDNG, you export RAW data. The RAW data has to be processed somewhere else. I bet it won't be processed in the exact same way as MLVApp does. So the colour will be different.
Quote from: domasa on July 12, 2018, 10:36:48 PM
Continous: "1920x1080 @ 45p"
NOT 48p.
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