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Messages - andrule

#1
Hey everyone, been boning up on 6d ML via this thread for a couple weeks now. Tinkering with raw I've been getting 10-20 seconds of full sensor slightly sub 1080p at 12-bit raw lossless and will be grabbing my sandisk pro cards from studio to see if I can get continuous recording that way with the sd overclock.

My main question is why is there less latitude in Davinci resolve working with dng lossless then there is with working with ACR with the dngs coming out of MLV app (the dngs coming from MLV app go into resolve too, for clarity)? I feel like I'm working on a raw photo when I work on a single frame in ACR but in Davinci it starts to fall apart or go haywire way faster. I almost want to figure out the old method of converting the footage via lightroom or ACR rather than using davinci or mlv app for grading. One thing that sticks out the most is the pink over exposed highlight issue is way less pronounced when working with ACR (even when comparing to working with the source MLV files in MLV app). I really feel like I can process the dngs into something clean in ACR but it doesn't seem possible in Davinci... Any insights on this?

I'm sure this belongs elsewhere but the forum is confusing at the moment for me so I'm sticking to this thread. You guys are great by the way! Levas and Danne amazing that you guys are as dedicated as you are. It's super cool.