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Messages - Enrico

#1
Hello everyone I read somewhere about people shooting 4k on a 700D, how is this possibile? I struggle to shoot 1728x736 10bit at 25 fps (not continuous of course), is there a way to shoot high quality 1080p continuous 30fps with this camera maybe using log etc? Sorry for my bad english
#2
Quote from: Ilia3101 on October 09, 2018, 10:05:45 PM
Windows is annoying
I know bro but a macbook pro costs like a used car, however it'll be my next computer :'(
#3
Quote from: Danne on October 09, 2018, 08:09:43 PM
Well, that notifier can be used if you want to cancel processing. If it's working you should see files being processed inside a folder. Do you?
Also be patient. This workflow van take a while.
Okok it worked, I'm just not enough patient, thank you for your time. On the other hand which are the difficulties in implementing this script in windows?
#4
Quote from: Danne on October 09, 2018, 08:30:05 AM
I wonder how the script will react to downloading dependencies in a virtual machine.

Steps are easy as masc says.

If you run the script for the first time it will ask for downloading dependencies so just say yes to all of those questions.

1 - Import the mlv file and go to export settings and select the script HDR_MOV.command



2 - Do your color correction etc and go to the export tab and send out your clip. When the file is ready the script will start creating the HDR file. End result will be a MOV file.

Ok I tried with your same settings, I downloaded and installed all the components but after the exportation from MLVApp this is what happen

 any suggestion?
#5
Quote from: masc on October 08, 2018, 08:49:20 PM
Puh... on windows there is no solution yet. What could work, but is some work for you: select every 2nd dng and put it into another folder. I am not sure if Resolve can handle 1,3,5,7,... and 2,4,6,8... sequence numbers or if you get an error. If it works, you should have two sequences and can try to blend it somehow in Resolve.
Hmm I'm still learning to use Davinci, but is there a clean tutorial for MacOs? Becouse I could use my friend's macbook or even a virtual machine.
#6
Hello everyone, is there something I can use to deal with a 10bit HDR mlv file on windows? I use to export uncompressed DNG from MLVApp and import the sequences in Davinci what could I do? :'(
#7
Quote from: Danne on September 27, 2018, 09:05:00 AM
Buy mac ;)
Kidding. But regarding the windows issue a cmd or powershell based script could work since all tools are available. Who should do it? Preferrably someone more experienced since I only done very few hours of cmd/powershell scripting.
Ok I'll try running a virtual machine with OSX but, why is the source code of MLV app different from mac to windows?
#8
Quote from: Danne on September 25, 2018, 12:04:30 PM
You have filmed in HDR not dualiso. You could use the included
script in the export settings to merge the two exposures and export to prores format(mac only):



Ok thanks but I don't have a mac, what could I do with windows?
#9
Quote from: masc on September 24, 2018, 09:50:47 PM
There is a crypto key needed?! Can't download... sry.
sorry this is the key !3Vt1gbqOxR66ezSP04I0Rtr2LygegBXYGM2ujmrGC28
#11
Quote from: masc on September 23, 2018, 07:44:46 PM
Normally nothing flickers. So you should upload your clip (or at least a part of it), and we could analyse what happens.
Here I put a short clip https://mega.nz/#!4j5VlDDQ
#12
Quote from: masc on September 21, 2018, 08:00:27 PM
The only difference in the workflow is clicking the button dual iso. As far as I know there is no tutorial.
I tried but it continues to flicker what am I supposed to do in Davinci?
#13
Hi everyone, I've just a question, where could I find a well explained tutorial about the workflow of raw dual iso clips? I use to work with MLV App but I think this time i will need something more
#14
Quote from: masc on July 02, 2018, 11:07:17 AM
@Enrico: Uncompressed AVI is processed 8bit video. So you have to adapt whitebalance and exposure, maybe more to not loose too much information. Again: if you do that, it's no big deal. Filesize plays not the biggest role in terms of quality ;) In cDNG the 14bit RAW from the sensor is untouched. Sure that is slower in Premiere... ProRes is somewhere between: 10-/12bit processed video (depending on chosen encoder).
I record with a 700D in 10bit but are you saying that the AVI from MLVapp is only 8 bit? I don't understand, I'm so confused  :(
#15
Quote from: escho on July 01, 2018, 09:10:25 PM
The asi-container from mlvapp, is specially made for the needs of astronomical stuff.  Some astronomical software need exact this format as input.
Yes AVI from MLVapp are enormous but AVI from after effects made from DNG are even bigger. Sorry for the questions but this is my first approach to videomaking.
#16
Quote from: masc on July 01, 2018, 07:03:14 PM
With this little app you can look into the clips and look what exactly is coded: https://mediaarea.net/
AVI uncompressed is not AVI uncompressed. ffmpeg offers more than a hand full different uncompressed AVI... we've chosen the "rawvideo" one. But I still don't understand why you've chosen AVI instead of CDNG when working with Premiere. Do you color correct in MLVApp? Then it could be useful.
Is it a bad idea to color correct in premiere using a regulation layer? I personally don't like using CDNG becouse requires extra passages and also after effects render really slowly on my pc (I don't know why it doesn't use my GTX 960M, I tried different tutorials, instead premiere do it and of couse is much faster). Is there any tool which convert AVI from MLVapp in the kind of AVI supported by premiere?
#17
Quote from: 50mm1200s on July 01, 2018, 03:24:21 PM
Well, just because AE exports, it doesn't mean it will open on PP. There's no codec on uncompressed AVI, it's just a container (.avi) with raw data. You should just use ProRes 444 or convert it as we said already.
Ok but Premiere actually opens uncompressed AVI from After Effects, so if there is no codec what's the problem?
#18
Quote from: 50mm1200s on June 30, 2018, 01:02:25 AM
AVI uncompressed doesn't seem to be supported by Premiere Pro. You'll have to convert it to something like Cineform or Lagarith, if you want lossless, or you could export directly to ProRes 444, inside MLVApp...
But actually After Effects exports AVI uncompressed when it imports sequences of DNG or TIFF. Maybe the issues regard the codec, I'm not very knowledged in these things.
#19
But converting in Cineform or Lagarith as you suggested requires an extra passage, am I right? Anyway do you think ProRess 4444 is a good codec in terms of quality?
#20
Firstly I'd like to thanks the developer of this great programme, anyway I have some issues when I export raw videos in uncompressed avi becouse in premiere it doesn't play them, instead everything works with the default windows 10 video player. Any possible solusion or even suggestion in the workflow?