Messages

Hi Andy, yes it was me, I had not received your reply yet before posting. Thanks. It all makes a lot of sense. Being on here too, it will hopefully help other users as well.

Hello. I have read the entire thread and have been following this product for a long time. I am about to have a magic lantern raw video graded by a colourist (in a few hours!). He will be working directly on the DNG files in Resolve. Is there any tangible advantage in having him do the grade through a CINELOG input LUT? If so, what is it exactly?

Many thanks! I look forward to hearing from you.

Canon 6D, MLV, different resolutions, upsampled to 1080, mostly Zeiss glass 

I have been lurking on this thread for a very long time now I just wanted to thank everybody that has contributed to make ML possible on the 6D!

I have just finished shooting a music video with it and everything has worked brilliantly! If you are interested, I posted it here http://www.magiclantern.fm/forum/index.php?topic=13759.0

A bleak industrial landscape sets the scene for a man's dangerous journey through the meanders of his memories. A modern take on the English ballad Danny Boy, set to a new original jazz arrangement of the traditional Irish air 'Londonderry Air'.