Messages

Hi,

Here my last music video with 5D MIII.
We use FRESNEL LIGHT TUNSGTEN.

LENS: COMPACT PRIME ZEISS CP.2
1920x803 - 23,976fps - shutter: 1/48 (No nd filter)
MLVAPP to DAVINCI (LUT) and export PRORES HQ422
FINAL CUT 7 PRO

the dance part and where the singer is sitting

Hi,

Here my last music video with 5D MIII.
We use HMI LIGHT 4000W


1920x803 - 23,976fps - shutter: 1/48
LIGHTROOM + LUT + DENOISER
FINAL CUT 7 PRO (APPLE PRORES HQ)

"

"

Hi,

Here my last music video with 5D MIII.


1920x803 - 23,976fps - shutter: 1/48
RESOVLE + LUT + DENOISER
FINAL CUT 7 PRO (APPLE PRORES HQ)

did you use ND FILTER?

really? can you tell wich minut or seconds especialy?

Hi,

Here my last music video, a easy video just recording in one location.


1920x803 - 23,976fps - shutter: 1/48
RESOVLE + LUT
FINAL CUT 7 PRO

1920x803 - 23,976fps - shutter: 1/48
CARL ZEISS CP2 15MM
RESOLE + LUT
FINAL CUT 7 PRO



http://www.youtube.com/watch?v=E264J3mKB_U&list=PLUm5q7M6Cp0wgP7niLLuslkNNDkXnEoOP&index=4

resolution: 1920X800 (2:39)
No i don´t use dual iso but the CP Prime have better dynamic range.

Hi The People,

24fps
shutter: 1/48.015

RESOLVE AND FINAL CUT PRO 7


http://www.youtube.com/watch?v=1jVDeLna1xk&list=PLUm5q7M6Cp0wgP7niLLuslkNNDkXnEoOP&index=1

A MUSIC VIDEO RECORDS ON CARIBE SIDE

5D MIII
MAGIC LANTERN RAW
SHUTTER 1/48
CARL ZEISS CP2
DJI RONIN M

DAVINCI AND FINAL CUT 7

https://youtu.be/nmb8rMkzckk?list=PLUm5q7M6Cp0wgP7niLLuslkNNDkXnEoOP


http://postimg.org/image/8z8cf002b/

Enviado desde mi iPhone utilizando Tapatalk

Hi, glade to share my last work, rec on ¨Nuqui¨ Ocean Pacific side of Colombia in south America.

5D MIII RAW -
24FPS
DAVINCI RESOLVE
FINAL CUT PRO 7

Here a i new music video with 5D MIII ML

2:39
DAVINCI 11
LUT
FINAL CUT 7 PRO

Making OF

5D MIII ML
SAMYANG LENS
DNG+DAVINCI+LUT+FINAL CUT PRO 7

Hello,

share my last project from Cartagena, Colombia, south america.
Hope you like.

5D MIII
MLV
2:39
DAVINCI RESOLVE
LUT
FINAL CUT PRO 7

thank you very much Chad,

very interesting.

Here my last Music Video all RAW 14Bits - 5D MIII

Ratio: 1:2,39
shoot on .mlv
MLVMystic to dng
LightRoom grade
AE export 444 and Proxy
Edited on Final Cut Pro 7
Export 444 and Convert h264 youtube

Lens Samyang 24,35 and 85mm 1,4

1TB OF DNG
5DAYS REC
COLOMBIA SOUTH AMERICA

Thank you very much ChadMuffin,

Yes it is with MLVPlay, but before shoot i speak with the customers to explain what is MagicLantern (with easy word) What they see is not what i shoot and they know how much money they save,
so they are cool...lol . But also the customer must to trust me.

Yes i have fews bad story and very bad experience with this MagicLantern and of course with customers, but this bad experience they help me now to know how i need to work especialy with MagicLantern system, because working with a big production with MagicLantern is more stress, more complicate, you need to be very very organize and discipline.
Now i know many tips for work with MagicLantern to take less risk to have problem.

For me MagicLantern system raw help me to put my budget more on production, staff, light, movement dolly, good gaffer and thing like that, because rent a arri alexa o red epic and cooke Lens Kit that just amazing but kill your budget and more if you have a limit budget like me.

Sorry for my bad English, i am french.

Guillaume


PS: i was talking about crash problem that is an exemple of problem i have sometimes when i use ZOOM X5 with ML and must know now.

Thanks for the tip Nigel 

Also , Shutter 50 with Tiffen Filter ND

1920X818 (2:35)
CF 64GB Komputerbay X1000

Hello,

Here share my last work with a 5D MIII, Magic lantern raw (mlv)
DAVINCI RESOLVE (LUT)
FINAL CUT PRO 7 - PROXY EDITING AND EXPORT 444 AT THE END
DPX WORKFLOW FOR NUKE VISUAL EFECTS

Hope you like, if you have question: [email protected]

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