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Messages - rtwomey

#1
Quote from: Lars Steenhoff on June 25, 2016, 10:08:09 AM
It looks great, and I'm interested in ML RAW and Film, so to see them together is great.

Thanks Lars. ML RAW gave us a big advantage in post when it came to matching the footage.
#2
Quote from: andy kh on June 24, 2016, 09:27:48 PM
Just to let u know that this is not the right place to share super 16 films or bmpcc films or red scarlet films..

About 15% was shot ML Raw.
#3
Quote from: andy kh on June 24, 2016, 09:08:42 PM
Not interested super 16mm at all

Haha. Then why did you comment?
#4
Graduate film shot with Zeiss Super Speeds on S16mm Kodak Vision 3 250D & 200T along with some marco shots on a 5D mkIII with ML Raw. It was made about two years ago but has been going through festivals until now.

#5
Thanks for the reply, Andy. Looking forward to the update.
#6
Hey Andy,

I have a job coming up which will be a mix of interviews and product shots. I want to shoot the interviews as h.264 and the rest as raw. I'm wondering which profile you'd recommend to use in a mkIII to match the ProRes files I'll get from MLV & Cinelog.
#7
Great reply Andy, thanks. I didn't fully understand the middle part but the last paragraph is what I was looking for! ;)
#8
Hey Andy. The Resolve guides are great. I just have one last piece of the workflow I need to figure out. I do most of my CC with FilmConvert and Colorista in Premiere Pro. I'm just wondering if you'd recommend adding a Cinelog C to Alexa Log LUT in Resolve to bake it into the ProRes files or add the LUT in Premiere. I ask because I want to use the Alexa setting in FilmConvert and have the option to use all the Alexa LUTs available. I'd like to be in a position to dump my MLV files for the majority of what I shoot so I want the best ProRes masters possible.
#9
@dubz

I've been a member for a while, checked the site but couldn't see them. Where abouts are they?

Update: I wasn't logged in....  ;D
#10
Hey Andy,

Are there are guides or tutorial videos available yet?
#11
This is really beautifully shot, love the aerials looking straight down in particular. Great job.

Martin, just wondering how you felt using ML on a high end commercial project like this. Were you nervous? Brave decision assuming the budget probably allowed the rental of Epics or Scarlets?
#12
Share Your Videos / Fashion Promo - 5d mkIII Raw
December 17, 2014, 01:56:22 AM
This is a short fashion film that a few friends and I made recently for a graduate of the National College of Art & Design in Dublin, Ireland.

It was a non-commercial gig that we did with no money by calling in some favors. We filmed in two different locations, one in Dublin and another in Tullamore over the course of one day. A lot of the shots are available light with diff or bounce. The opening sequence in the science lab was lit with a couple of redheads and daylight. Small LED lights were used in places. It was mainly shot on Samyang Cine lenses 35mm & 85mm and a Canon 50mm f1.4.

Everything was shot raw either in 1080p 25fps or 50fps at a lower res. ProRes files were made in Resolve using the cinelog lut. The edit and grade was handled by the director. The original plan was to relink and for me to grade in Resolve but I moved to NYC recently so the director working from the ProRes files was the easiest solution.



Thanks for watching, some other stuff shot on everything from 16mm film to Red can be seen on my site: www.richardtwomey.com
#13
It's not as neat a method as overlays but masking the monitor with some camera tape works well too!
#14
One way I got around this problem was to use crop marks on the monitor and turn global draw off while turning over. It's the best solution until this issue is fixed.
#15
Lovely images. I live in Dublin but have never made it to Dingle, I must fix that soon.
#16
Hi Andy,

Which method of conversion from the mlv (or ML raw) files to CDNG do you suggest to work best with Cinelog on OSX?
#17
Raw Video / Re: Black/Pink Bar on 5d mkIII raw footage.
December 25, 2013, 03:24:35 PM
I think it was a one off issue, Luiz. As I said, day two of the shoot was on a different nightly build and there were zero issues. The footage looks great so it's not going to stop me shooting raw! :)
#18
Raw Video / Re: Black/Pink Bar on 5d mkIII raw footage.
December 25, 2013, 01:56:43 PM
Should probably add that we were monitoring with a Zacuto EVF which was looping HDMI to a 7in monitor.
#19
Raw Video / Re: Black/Pink Bar on 5d mkIII raw footage.
December 25, 2013, 01:55:35 PM
No, shooting standard. As I went through the footage this issue came up more and more. Some times once per clip, others two or three frames. During the shoot I felt the hack was buggy. The camera had to be restarted a lot but it never cut out during a shot. I updated the version of ML between day 1 & 2, not because I though we had image issues but mainly because it needed all the restarts. The footage from day two was perfect. Luckily we have enough coverage so it won't be a problem for our edit.

#20
Raw Video / Re: Black/Pink Bar on 5d mkIII raw footage.
December 21, 2013, 05:43:59 PM
Thanks for the reply Luiz. I'm using a number of Komputerbay 64gb 1050x cards. I was shooting 1920x818 at 25fps. I always thought if the card was too slow that the recording would cut rather than drop frames?
#21
Raw Video / Black/Pink Bar on 5d mkIII raw footage.
December 21, 2013, 04:11:23 PM
Hi,

I have been using the ML raw hack for a while on my mkIII without issue. On a recent shoot a number of shots came back with one frame being squashed with a pink and black bar on the edge. As in attached image. I was using a nightly build from a few days ago.

It's not a post issue as I can see the same problem when I play the file in Clip House.

Does anyone know why this happens and if there's any trick to salvaging this shot?