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Recorded at resolution of 1536X864 for most shots others at 1728x972

I used MLRawViewer to export directly to ProRes or DNG.  Used DNG only for a handful of shots where PS was needed to get that extra use of the RAW data.  My computer won't work DaVinci at the moment.   Batch upscaled clips to 1920x 1080 with MPEG Streamclip. Graded accordingly in post.

Correction: There were two shots shot native H.264 in the above videos.

MLRaw is a great tool.

Cheers,
Janssen

 @comurit

I will be buying the GH4.  I will definitely keep my 60D for seconds where I need RAW shoots, and also for ML in general.  The 5d 3 is obviously the best option to shoot raw.  The one thing to consider when shooting Raw is  the space it takes up on your Harddrive.  On the other hand I have gone back to counting shots and rehearsing a shot similar to how I did when using super 8 years back..  I have recently finished a few projects with ML Raw on the 60D that went into terabytes.  With the native canon codec this same amount would have been substantially less

Here are a few examples of commercial work I have done recently every shot was ML Raw on 60D:

I don't expect to get as much latitude from the new GH4 as I do in ML raw.  I will use both cameras as tools for when needed.

Cheers,
Janssen

https://vimeo.com/68390281

This was shot with magic lantern Raw on the 60D
I chose the highest resolution at 2.35 crop
I got 7 seconds per recording (179 frames)

The post proces went through:
1.Raw2DNG
2.PS to TIFF
3.QT7 image sequence to Prores

Intensely amazing difference from h.264 codec.