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Hi,

They are from the same clip, the 3 photos, maybe not from the same frame. I can send the MLV if you guys want.


I just install the version that have 14bits lossless compression. Is this better that 10 or 12bits?

Many thanks

Hello my friends, thank you so much for the supporting. Now i can understand "everything", the meaning of life...

I just can say this, DAMN, i just recorded everything in 10bits raw. I thought that you didn't see a big difference between 10bits and 12/14 bits raw.

Indeed, ACR from Adobe is amazing for debayer CinemaDNG's that i pull off from MLV App. 



-Photo from 10bits raw, transcoded with MLV App to ProRes 4444. You can see the banding in the left side.

https://photos.app.goo.gl/83kN7hHCecCmR9Ky5



-Photo from 10bits raw, transcoded with MLV App to CinemaDNG and open/import directed to Premiere. Don't show up banding but soft, not so sharp.

https://photos.app.goo.gl/7T6ocdcChfHMTPEL9



-Photo from 10bits raw, transcoded with MLV App to CinemaDNG and open/import to After Effects and use ACR, very power raw engine. More crispy/sharp image.

https://photos.app.goo.gl/BA8gBrDjEVK2xGWB9



The company Autokroma have a plugin to open CinemaDNG from BlackMagic cameras, i tested with CinemaDNG from MLV App but only show up the slider of white Balance and Exposure. I tested against Lumetri and notice no difference.

Sooo... Next time i will shot 14bits raw and then convert to ProRes 4444 in MLV App and hope everything will be better  : ) By the way, anyone knows the comparison of the raw from MLV and other cameras? In the past a few cameras have this option like Arri or Red, nowadays almost all cameras can record a flavor of raw. 

Thank you one more time for the help. That Magic Lantern Lives For Ever 

Hi MLV friends, long time...

I have some doubts about the the process with the MLV´s in MLV App. I search in the forum and ready a lot but didnt get out my doubts. Maybe some one can help me on this.

So, i recorded some footage in 10bits raw in my good and trust Canon 5D iii

     
    1- I Use the MLV App, that is amazing, to output to ProRes 4444. Then wend i open in premiere i saw banding in the footage. If
         it's in 10 bits and in ProRes 4444 shouldn't see any kind of banding in the footage, right? What im doing wrong?

    2- After this, I export the same footage in CinemaDNG Lossless, and the banding disappeared. Great, very happy. But... wend i import the CinemaDNG footage in Premiere the colores are one thing. Wend i import the CinemaDNG in after effects they are other thing.

        I see in premiere the colores are a little bit more washed and looks like the image are not so sharp. In after effects the colores are more saturated and looks like the footage are more sharp. 
   
Any advice one this? Any help would be good on this.

Thanks for all of the Magic Lantern 

Hi guys, if anyone can help me on this:

If 1/50 at iso 100 on bright sun

ND16 - f4
ND32 - f3.2
ND64 - f2.8

and for,

? - f1.4  and f1.8


Thanks:))

Thanks

Hi Melvin, great vid, amazing!!!

I have a question, where did you get the sound fx, can you share with us?

Thanks, and keep the good work!

Thanks DFort, appreciated for the answer. So, its the best recording in 14bits for not having tearing or errors, cant have that in a paying gig

keep the good work, for sure that one day ours 7D's will record 10 and 12 bits without errors  

Hi guys, long time...

So, it's already possible to record 10bits and 12bits in HD?    Here i can download this version for give it a trie? And the Lv is working good?

If i understand good, the problem now is to record in crop mode for the 4K?

Thanks 4all

Well done!

How did u rotate de gun? The first scene its great. and the light?

Less is more. Nice vd

Thanks Hans_Punk

UHS-III SD Card Standard Announced, Maxes Out at an Insane 624MB/s

https://petapixel.com/2017/02/25/uhs-iii-sd-card-standard-announced-maxes-insane-624mbs/

Also for the 7D?? Many thanks   Looking forward to the links =))

I think one or no one person are working in the 7D. Dual processor inferno thing... I think with the low princes for a 2hand 5DIII is better to have full ML features... but then, the glass.

@Licaon_Kter   existe this open source for iphone? Or something similar?


Thanks

Hi,

  I trie today the new comp from dfort and its in the same, if some one ask. With MLV or RAW Module in 10 or 12bits you got the upper pink stripe thing.

       *But in crop mode (x5) you can record in 10 and 12bits, wow. The problems that i find in crop mode (x5) is that wend you review the file in camera the exposure are more low then wend you recorded and show in the camera screen and the colores look that go's to sepia tones... Also mostly of the times wend you hit the rec the screen freeze.

Until someone find the slurp for the 7D we are like this... only in 14bit's that i must say it's gorgeous!!! 10bits you can have the same quality but less heavier files... and more frame rates YEAHHH =))

thanks =))

For the 7D it's not working, you have a compilation made by dfort and other in this same post from nikfreak... but it's not working properly.

It need to work with CONFIG_EDMAC_RAW_SLURP  in the 7D, for it give clean image in 10 and 12 bits... I think nikfreak is working on that... we hope   

Are you @nikfreak ?

@dfort

With your last version for the 7D it got the same problems... maybe is needed to merge/compile the new update from the mlv_rec that got a fix for the alternating frame errors in lower bit depths.

Thanks=))

Having the same problems that @Ilia3101 have but with the 7D

Going trie the new version of @dfort

Thanks=)

Hi and thanks for ALL 

I test the new version for the 7D and i can record continuos and with the camera screen (LiveView) good (canon preview), but in camera with mlv_play.mo i just see pink/flashy image. In computer, after use MPV player i see this pink and good image blinking very fast.

Cheers

no english??

Thanks nikfreak      Will test it and give some feedback.

Thanks dfort. I thought that exist, even with bad frames, a version for the 7D