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Probably the closest I've gotten to making the Eos m look like film. This is why we Shoot Magic Lantern, it brings the best out of these budget Canon cams. 😎🙌🎬🔥

- - Gear Used- -
*Camera - EOS M (Original w/ ML)
*Lens - Canon 17-40 F/4  |  Canon 24-70 f/4  |  Canon 35 F1.4
*Tripod
- - Settings - -
*2.8K RAW 2800x1190 [2.35:1]
* 23.98 FPS, 1/48, WB 5200, ISO 100
- - Editing - -
*All graded in MLV App (ALEXA LOG C Profile w/ Creative Adjustments    enabled, Exported Prores 4444
* Finishing touch in FCPX 8K Timeline & Export (LOL), added little saturation and exposure adjusted, No sharpening at all

Canon EOS M 3K RAW Film | Autumn's Grace | Magic Lantern Raw Video
https://www.youtube.com/watch?v=aJVY5gIsly4
Gear Used:
Canon EOS M
Metabones Speedbooster EF To EOS M
Samyang 50mm f1.4 EF
Samyang 35mm f1.4 EF

Settings:
3K RAW 3000x1276
18fps, override to 23.976
Graded/Corrected in MLV App, Exported Prores 4444, Placed in an 8K Timeline
1/46
100 ISO
5600K WB

Enjoy!

Haven't tested 2x anamorphic in a while so I gave it a go with the EOS M, whilst I tested full frame anamorphic 1.33x on the 5D2. Enjoy!
https://youtu.be/11ni_5Aqkr8
Gear Used:
Canon EOS M + Mosty SC43 2x Anamorphic Adapter [Gold] + Nikkor Ai 50mm f2 & Viltrox speedbooster
Canon 5D Mark II + SLR Magic Anamorphot Compact 40 1.33x Adapter + Rollei HFT Planar 50mm f1.4
Tripod, FOTGA 77mm ND

Settings:
EOS M: 24fps, 1/47, ISO 100, WB5600k, 2K Resolution 4:3
5D2: 24fps, 1/48, ISO 100, WB5600K, 1856x1044, 16:9

https://www.youtube.com/watch?v=gNWqNK_5I1Q

Settings:
x3 Crop @1736x976, 1/48 [Shutter Lock], 24p, ISO 100,
WB 5800, 14-bit Lossless, %100 Sharpen (needed with this lens),
clarity +5, Alexa Wide Gamut.
Gear Used:
Canon EOS M, Elgeet 13mm f1.5, SLR Magic Compact-40 Anamorphot 1.33x

Skip to 0:35 for Test. 
https://youtu.be/EulDugO-Rj4

Some scenes look a little like analog film (Kodak or something)...

Gear Used:
Camera: Canon EOS M
Lens: Vega 7-1 20mm F2 (Kiev 16U Mount by RAFCamera)
Adapter: SLR Magic Anamorphot Compact 40 1.33x Adapter

Settings:
2560X1440, 16:9 (Between 2.3-2.5K RAW)
14-Bit Lossless, ISO 100, 24fps, 1/50, WB5600K
Alexa Wide Gamut, graded in MLV App, 50% sharpen, -20 vibrance, +30 saturation
Upscaled to 3840x2160, No bars added in post,
4K Film Grain Added

Canon EOS M Film | ARRI "Sundown" | Magic Lantern RAW Video 14-Bit | CZJ 50mm F2.8

It was a hot day and I went out with just my EOS M, simple gear and two batteries (I only used one for the whole shoot). It was very hazy in the sky due to the Bushfires and the sun was hot. Managed to capture these beautiful RAW Clips with the Canon EOS M and Magic Lantern RAW. The clips were a pleasure to grade and had an ARRI feel to them. For the price, the EOS M is such a special camera!

Gear:
Canon EOS M w/ Magic Lantern RAW
CZJ Zeiss Jena Tessar 50mm F2.8 M42 (Vintage Lens)
M42 to EOS M Basic Adapter
EOS M "Run & Gun" Rig Setup: https://www.youtube.com/watch?v=4hJy3...
FOTGA Variable ND 52mm ND Filter [49-52mm Step-Up Ring]
Basic Tripod

Settings:
Film Grain Added in post
1736x976
14-Bit RAW Uncompressed
MCM 1080 Rewire
ISO 100
23.976 FPS
1/48 [Image Fine-Tuning & Shutter Lock]
Upscaled to 2.8K
Exported Prores 4444

Canon 5D2 II RAW Film [4K Upscale] | Beach Vibes ~ CONTAX ZEISS Lens

Gear Used:
Canon 5D Mark II
Contax Zeiss 50mm f1.7 MMJ [De-Clicked] - Used for the majority of shots.
Contax Zeiss 28-85mm MMJ
Tonkix Variable ND 77mm

Settings:
14-Bit RAW [Uncompressed]
Resolution: 1856x1040
Aspect Ratio 16:9
24fps, 1/48
WB - 5600k
ISO 100

No LUT used. Manually graded in MLV App with BMD Film. Exposure corrected in FCPX. 

First Time Boat Paddling | Canon 5D Mark II Short Film RAW Video | 14-Bit Magic Lantern [4K Export]

Gave the 5DII a test run with the L Glass a few days ago. First time boat paddling on a very sunny day with a lot of contrast. I mainly underexposed the scenes to recover the shadows and highlights in post otherwise there would have been a lot of clipping. Shows the dynamic range potential of the 5D, really nice. Enjoy!

Gear Used:
Canon 5D Mark II
Canon 24-105 L
Canon 50mm F1.2L (two or three scenes)
Tonkix Variable ND 77mm

Settings:
14-Bit RAW [Uncompressed]
Resolution: 1856x1040
Aspect Ratio 16:9
24fps, 1/48
ISO 100

SD Card Used: SanDisk Extreme PRO 64GB

Can see some areas for improvement with the 5D2, but so far it's been good.

Canon EOS M2 [5K] Upscale RAW Film | Melbourne CBD 2019 | 5:3 Magic Lantern RAW & Nikon G Lens
https://youtu.be/0LeYhwNq7iA
Settings:
14-Bit RAW [Uncompressed]
MCM 1080 Rewire
Aspect Ratio 5:3 [1.66:1]
Resolution: 1736x1024 [upscaled to 5K in MLV App]
24FPS, 1/50
ISO 100

MLV APP:
- SLOG 3
- Sharpness 100%
- CA Desaturate

SD Card Used: SanDisk Extreme PRO 64GB

Canon EOS M RAW Video [30 FPS] & Zeiss ZE 50mm F1.4 | Magic Lantern

Gear Used  :
Canon EOS M - Red Version, purchased used for $99 [Magic Lantern RAW]
EOS M RIG [Modified]
Zeiss ZE 50mm f1.4
Viltrox EF-EOS M2 SB [Speedbooster]
Tonkix Variable ND 77mm & Tiffen Black Pro-Mist 1/4
Zomei Tripod

Settings  :
MCM 1080 Rewire
Resolution: 1736x976 [upscaled to 2.8K, Placed in a 4K 30 FPS Timeline]
30 FPS, 1/60
ISO 100
MLV APP:
- Reinhard/Alexa LOG C Wide Gamut
- Clarity -50, sharpness 100
- Aliasing [1 Pass Smooth - very slow export for 134 clips ]

SD Card Used: LEXAR PRO 1000X 128GB

The Farmlands | Canon EOS M *2.5K* ML RAW [16:9] & 7Artisans 12mm F2.8 | Magic Lantern Raw Film

Gear:
Canon EOS M w/ ML RAW
7Artisans 12mm F2.8 (Budget Wide Lens)
Gorilla Pod [All Hand-Held Footage]
Variable ND
Tiffen 1/4

Settings:
24p
1/33
ISO 100
- 2.5K Raw Mode [Most Shot @2.3K, Upscaled to 2.8K in MLV App which has less stress on hard drive space and looks really good!]
- DUAL ISO 100/800 some scenes.
- Mostly exposed for the sky using 100% Zebra
- Basic Grading [MLV App], Files arranged in FCPX and placed in a 4K Timeline.

Amazed by the level of detail coming from the EOS M & 2.5K Raw. Even on a 4K Monitor it looks detailed. May have to use this mode more often.

THE HILL | Canon EOS M RAW w/ Canon 24-105mm F4 L | Magic Lantern RAW Video

More of a fictional look this time with the EOS M  ...

Here is another video put together a day ago with the Canon 24-105mm F/4 L & Canon EOS M RAW. It was a very contrasty sunny day this time I aimed to give it a "fictional look" as this is what I felt was best for the mood and the story. Reminds me a bit of the movie "No Country For Old Men". *Opening Shot was @2.5K RAW Max Resolution 16:9* Love the IS from this lens and have owned it 3 times in the past with the 6D & 5D3.

Gear:
Canon EOS M w/ Magic Lantern RAW
EOS M "Run & Gun" Rig Setup
Canon 24-105mm F/4 L
Metabones EF to Ef-m Speedbooster
Generic Gorilla-pod
CPL Filter 77mm
Tiffen Black Pro-Mist 1/4
FOTGA Variable ND 77mm
(All stacked together)

Settings:
MCM 1080 Rewire/2.5K RAW Opening Shot Only [16:9, Max Resolution]
16:9 [2.35:1 Letterbox added in post]
ISO 100
23.976 FPS
1/48 [Image Fine-Tuning & Shutter Lock]
Graded in MLV App - used Bicubic Spline, 100% Sharpen, Alexa Log C & Wide Gamut, upscaled to 2.8k [16:9] w/ prores 4444 and then exported in a 4K Timeline in Final Cut [FCPX], All graded in MLV App nothing in post.

Canon EOS M RAW | Forest to The City w/ Canon 50mm F1.2 L | Magic Lantern RAW Video

A short video I put together with the EOS M Raw and Canon 50mm f1.2L It was a cold, rainy day with no blue sky even in spring, but lucky the lens has weather sealing. Some errors here and there, but it's all a part of learning I guess.
All hand-held, with post stabilisation.

Gear:
Canon EOS M w/ Magic Lantern RAW
EOS M RIG
Canon 50mm F1.2 L
Metabones EF to Ef-m Speedbooster
CPL Filter 77mm
Tiffen Black Pro-Mist 1/4
FOTGA Variable ND 77mm

Settings:
MCM 1080 Rewire
ISO 100
23.976 FPS
1/48 [Image Fine-Tuning & Shutter Lock]
Graded in MLV App - used Bicubic Spline, 100% Sharpen, Alexa Log C & Wide Gamut, upscaled to 2.8k [16:9] w/ prores 4444 and then exported in a 4K Timeline in Final Cut [FCPX]

Camera: Canon EOS M [2.5K ML RAW Mode - ~2.9x Crop]
Lens: VEGA-7 20mm F/2 [KIEV 16U Mount]

Here is a lens test and footage compilation of an old Russian USSR Cine Lens that sells for cheap using the Canon EOS M ML RAW 2.5K Mode. Looking at the overall story, I felt that Black & White was more appropriate in comparison to color.

Quite Dramatic...One of my favorite scenes @2:19

2.5K RAW @ 2.35:1 [2520X1072] - No Letterbox added.
ISO 100
23.976FPS
1/48
Lightly Graded in MLV APP w/ Reinhard, exported in a 4K Timeline [FCPX]

RAW Film test to see how the colours can be pushed. Tried to emulate the DUNKIRK 📽 Film look but not too close. Great camera from 2012. 👌

[2.8K] Upscale EOS M RAW Film | DUNKIRK Inspired Cinematic Look with FD Speedbooster & Canon FD Lens | MCM Rewire 1080

Lens: Canon FD 28mm 2.8 &  FD 50mm 1.8

- MCM Rewire 1080
- 1736x976 upscaled to 2880x1620 [2.8K, 16:9] and then placed in a 4K Timeline
- 24p, 1/48
- ISO 100, WB 5600K
- Alexa Wide Gamut

Shot with the Canon EOS M ML RAW + Canon J16aX8B B4 Lens.

Really like these B4 TV Lenses, although not a lens for every situation. This is a Late SD Model before Canon Transition to ENG top of the line B4 Lenses I believe.

Sample Footage @1:58

Settings:
Canon EOS M
MCM Rewire 1080 [1736x976]
x3 Crop (No Aliasing)
30fps (Placed in a 23.976 Timeline)
1/64
ISO 100
MLV APP 1.9: BMDFilm | Debayer Algorithm: AMAZE | Interpolation: Bicubic Spline

https://youtu.be/jDaOy5LMX2s

Settings:
MCM Rewire
14 bit Lossless
1736 x 976 [16:9]
ISO 100
MLV App - Alexa LOG C to 709

Canon EOS M RAW 2x Anamorphic with 7Artisans 55mm f1.4 & MOSTY SC43 2x Adapter.
*Double Focus
*Recorded @4:3 converted to 2.39:1
4:3 [1600x1158] MCM Rewire
Not an anamorphic expert here...

The M2 is a great compact camera with added benefits such as Wi-Fi and 8-10% smaller than the original M. Still requires ML Development.

Shot with the Canon EOS M Raw & Canon FD 50mm F1.8. Cheap combo produced nice results.

https://youtu.be/tGuJRVANXMs