I spent the last two weeks going over old footage with the intention to finally learn how color grading works, instead of just turning dials at random until something looks okay.
Shot in really dark conditions with a 5D MKIII and a Canon 50mm f1.8 STM. Most shots around ISO 1600 at 1920x960 48 or 60fps (did not know how to use the settings at the time really). Because it was a paid gig, I had the foresight to bring two very strong high CRI Zebralight led flashlights with diffusers in both warm and cool color temperatures. It made shooting possible in the conditions.
Converted to Alexa log via MLVAPP , exported as Prores 422HQ and then put into Resolve for curves adjustment. Denoised with Neatvideo. Did not use any presets, which I'm very proud of. I mostly relied on the curves adjustment tool.
I still don't really know how to stitch footage together in a cohesive way so that's the next thing I'm going to be working on.
Here is the before and after -
Log:
Graded:
Log:
Graded:
Log:
Graded:
Shot in really dark conditions with a 5D MKIII and a Canon 50mm f1.8 STM. Most shots around ISO 1600 at 1920x960 48 or 60fps (did not know how to use the settings at the time really). Because it was a paid gig, I had the foresight to bring two very strong high CRI Zebralight led flashlights with diffusers in both warm and cool color temperatures. It made shooting possible in the conditions.
Converted to Alexa log via MLVAPP , exported as Prores 422HQ and then put into Resolve for curves adjustment. Denoised with Neatvideo. Did not use any presets, which I'm very proud of. I mostly relied on the curves adjustment tool.
I still don't really know how to stitch footage together in a cohesive way so that's the next thing I'm going to be working on.
Here is the before and after -
Log:
Graded:
Log:
Graded:
Log:
Graded: