Hi,
I've been following this offline workflow.
1. Convert MLV files to Cinema DNGs in MLRAW viewer
2. Import to Resolve and Export Pro Res proxys
3. Import to Premiere Pro for edit.
4. Export XML and Color in Resolve.
5. Export files as pro res 444 and relink files back in Premiere.
6. Finish edit in premiere (effects, titles, etc.)
7. Export from Premiere.
I was just wondering what everyones' export settings for Windows Premiere pro was since they don't have pro res 444 export option.
I don't want to use DNxHD since it only goes up to 10-bit. Ideally, I want 14 or 12 bit, otherwise what's the point of going through this trouble shooting RAW really if your final export is compressed.
Thanks in advance!
I've been following this offline workflow.
1. Convert MLV files to Cinema DNGs in MLRAW viewer
2. Import to Resolve and Export Pro Res proxys
3. Import to Premiere Pro for edit.
4. Export XML and Color in Resolve.
5. Export files as pro res 444 and relink files back in Premiere.
6. Finish edit in premiere (effects, titles, etc.)
7. Export from Premiere.
I was just wondering what everyones' export settings for Windows Premiere pro was since they don't have pro res 444 export option.
I don't want to use DNxHD since it only goes up to 10-bit. Ideally, I want 14 or 12 bit, otherwise what's the point of going through this trouble shooting RAW really if your final export is compressed.
Thanks in advance!