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Share Your Videos / Short Film/Finalist in the "Summer In" film competition/50D RAW+Crop/
September 02, 2013, 04:42:47 PM
Hey.
I was the DP/tech consultant/assistant editor on this production. We shot on the EOS 50D in 2000x920 RAW. 2.20:1 to be later cropped to 2.35:1.
Shooting cropped is a pain because you really can't see what you're framing. If you have the crop in the center it shoots a whole chunk to the left. It's about double the area you are seeing width wise so the center of the image would be the left edge of what you are seeing. If you move the crop one notch to the right it will shoot everything from the left edge to the right side 2x and the right edge is the center. And don't get me started on getting the right headroom. It's a constant trial and error. Crazy crop...
Took 7 days of shooting and we ended up with about 700GB+ of RAW files.
Made dng's with RAWMagic and converted all the footage to Prores Proxie in DaVinci Resolve to be edited in Premiere Pro CS6.
Then we tried coloring in After Effects with ACR but a lot of the shots were flickering so we decided to Encode the clips used in the timeline again with Resolve to Prores 422 and did the coloring in Premiere with RGB Curves and Tint.
Anyways. Here's the video.
Summer in the HolyLand
Behind the Scenes
I was the DP/tech consultant/assistant editor on this production. We shot on the EOS 50D in 2000x920 RAW. 2.20:1 to be later cropped to 2.35:1.
Shooting cropped is a pain because you really can't see what you're framing. If you have the crop in the center it shoots a whole chunk to the left. It's about double the area you are seeing width wise so the center of the image would be the left edge of what you are seeing. If you move the crop one notch to the right it will shoot everything from the left edge to the right side 2x and the right edge is the center. And don't get me started on getting the right headroom. It's a constant trial and error. Crazy crop...
Took 7 days of shooting and we ended up with about 700GB+ of RAW files.
Made dng's with RAWMagic and converted all the footage to Prores Proxie in DaVinci Resolve to be edited in Premiere Pro CS6.
Then we tried coloring in After Effects with ACR but a lot of the shots were flickering so we decided to Encode the clips used in the timeline again with Resolve to Prores 422 and did the coloring in Premiere with RGB Curves and Tint.
Anyways. Here's the video.
Summer in the HolyLand
Behind the Scenes
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