Quote from: Bender@arsch on May 07, 2021, 05:57:27 PM
14bit lossless is the best option. The first bitdepth setting (8, 10, 12, off(14)) is just a tweaking from 14bit lossless. Or in other words all are lossless.
With 10bit (lossless) you can record continuously in all condition and with 12bit sometimes too (depending on scene).
That's great to know, thanks!
Quote from: Jonneh on May 11, 2021, 11:57:34 AM
I have those two too. Brilliant little (tiny, rather!) lenses with perhaps the nicest focus rings I've ever found on a vintage lens. Enjoy them! Quick question on the subject: do you get infinity focusing with the 50 mm on the 5D3? What adapter are you using?
Regarding the continuous recording, remember too that higher ISOs (or rather, noise, which isn't the same thing) have a massive effect on the compressibility of the files and therefore the data rate and ability to record continuously. I don't know if this is a relevant factor in your scenes, but just in case.
Yeah, they're great little lenses and your right about the focus rings, so smooth!! I just use a basic OM-EF Mount adapter that I bought on ebay and it seems to support infinity focus as far as I can tell. Will keep the ISO info in mind, thanks!