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Messages - Jeremy A.

#1
At the same time, I had warned.

Quote from: Jeremy A. on August 31, 2018, 09:35:16 AM
This video is part of a competition organized by Olivier Schmitt, so there are many very graphic transitions (some would say a bit too many), as the contest includes a special mention focused on transitions. Be warned =P

But this time it's promised; I won't do that kind of thing anymore... (unless a contest comes out... okay no).
#2
Quote from: domo94 on November 29, 2018, 08:21:43 AM
Trust me, don't.
By the time I get back into video, zoom transitions will no longer be in trend. ;)
More seriously, next time I will apply this advice (repeatedly suggested by others).

Are you almost done editing, or not at all? I look forward to seeing new images of Costa Rica (I can't get enough of it).
#3
Hello everyone, I submit you a new video filmed during my trip in Brittany, in the north of France.

I shot with a 5DIII and used ML's experimental build to shoot at 45fps to stabilize my shots a bit.

This video is part of a competition organized by Olivier Schmitt, so there are many very graphic transitions (some would say a bit too many), as the contest includes a special mention focused on transitions. Be warned =P

https://youtu.be/eSjaH4j7Mbo
#4
Quote from: 50mm1200s on June 29, 2018, 11:35:14 PM
Cool. The transitions are neat, although a bit overused.
Oh yes... with hindsight, I realize that I have used too many effects (and that they are badly synchronized with the sounds). I'll be wiser next time.

Quote from: 50mm1200s on June 29, 2018, 11:35:14 PM
You could use CinemaDNG instead. It's faster and better to organize.
I use mlv_dump to extract images from mlv files. Isn't that CinemaDNG already? (As I said, I am still a bit noob).

Quote from: 50mm1200s on June 29, 2018, 11:35:14 PM
the less you transcode your footage, the better.
I only transcode my footages once (to be able to edit them in Adobe Premiere, since it has trouble with raw files). Once in Adobe Premiere, I don't need to transcode my sequence to do my color grading, I stay in Adobe Premiere.

My next step will be to use proxies to be able to do color grading in Resolve and export my movie from RAW files (no more transcoding).

Quote from: 50mm1200s on June 29, 2018, 11:35:14 PM
Is it in ProRes 422? Don't export it on H.264, or you'll loose more information. Also, see if you can work on Rec.2020 and 10-bit, this is the new upcomming standard (as I said in other posts, youtube is accepting this format now, as Vimeo Pro is too).
It's not ProRes, but it's like. I use DNxHR HQX 10bits to export my clips (in terms of rendering, file size, and fluidity in Premiere, it looks like ProRes). The final export is done in H264 (for Youtube).
I will investigate this Rec.2020 story.

Thanks for your feedback ^^
#5
Sorry for the late answer!

My workflow is as follows:
- Transformation of MLV into DNG.
- Color calibration of clips in Davinci Resolve (curve, exposure, contrast, white balance, etc..).
- Export clips in 10 bits.
- Video editing in Adobe Premiere.
- Color grading in Adobe Premiere.
- Export.

I'm still a bit novice, I know that pros go through proxies and do their final calibration using the original rushs (switching back in Davinci Resolve), but I still don't know how to do all this (without breaking all the effects applied in Adobe Premiere).
#6
Hi everyone,
I've been browsing this forum for many months, in silence. Today I come out of the shadows to show you a small film shot in Costa-Rica in RAW with a 5D III (and Magic Lantern of course).

I'm still a beginner, be indulgent =P

https://www.youtube.com/watch?v=SJvMjtaYPK0

A big thank you to all the people who work closely or by far on this magnificent tool.