Quote from: dyfid on August 16, 2014, 07:03:41 PM
Your test doesn't really tell much, my comments relate to Resolve end to end rather than exporting log as an intermediate which would be the preferred route if not doing Resolve 11 end to end.
[...]But either way its just defaults, you have the ability to go back to raw data and adjust below the curve within the limits of the captured raw data depending on a decent control of exposure.
The colour match tool in Resolve is a helper for matching different sources under same lighting conditions not a one button substitute for eyes on the scopes and some basic adjustments primary corrections on the default raw interporation.
Well, for me, Resolve end to end it's not an option now, and to make decent proxies for editing in FCP/PP, using the Rec709 the colour rendition was terrible. My workflow was just a way to try to match the image to the ACR default processing, which is very nice by itself and good for proxies.
And yes, the color match tool is no substitute, but I'm just an assistant editor making proxies, not a CC