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Messages - nikki

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Camera-specific discussion / Re: Canon 5D Mark II / 5D2
« on: November 28, 2020, 06:24:18 PM »
i thought i needed this setting when using a third party adapter and lens but I don't works fine

Camera-specific discussion / Re: Canon 5D Mark II / 5D2
« on: November 28, 2020, 05:21:03 PM »
is there a setting on the 5d mark II for shooting without lens?

Camera-specific discussion / Re: Canon 5D Mark II / 5D2
« on: October 14, 2020, 11:37:39 PM »
first time with 5d m2 on a job and wondering about best cf cards to use (to prevent overheating and for longest recording time)

Share Your Videos / Re: 5.7K anamorphic 5D Mark III footage
« on: October 10, 2020, 12:57:14 PM »

Camera-specific discussion / Re: Canon EOS R5 / R6
« on: September 16, 2020, 08:19:02 PM »
Could be compression artifacts.  Looks similar to JPEG quantisation.  RAW wouldn't have those.

Mostly shooting commercials on film

But also have shot with Alexa (this is around where the 5d3 with ml is)

I shoot commercials on super 16mm film camera it’s fantastic and a cheap way to have high end excellence

5d3ml ranks high as a digital video image compared to everything else out there in the video camera realm and much better than the cameras it’s being compared to

Everything depends on what your doing and up to you to decide


Love shooting on Kodak 16 mm film.  Really no experience like it.

Maybe shoot a roll to compare .

Share Your Videos / Re: Croatia with 5D MarkII & EOS M
« on: November 25, 2019, 04:53:37 PM »
Was there 90 minutes of footage shot?

What did you edit on?

In Europe should the camera setting be on PAL even though I’m shooting at 24 FPS?

How does motion look at 23.976 FPS?

General Chat / Re: BMPCC 4K
« on: February 11, 2019, 03:48:31 PM »
I own a bmpcc4k and still own my 50D with ML. Have not used ML on a 5D3. The only way my 50D(and probably the 5D3) is better is the ability to take higher resolution pictures than 8 MegaPixels and maybe the colors(mainly skintones) a bit, the quality and strength of the physical body, and the ability to tinker. Other than that the pocket is better or nearly equal in every way imho. You can get larger than aps-c look with a cheap speedbooster knock-off and close-ish to full frame with a with an XL speedbooster.

It's not just about the specs and capabilities, it's about the workflow and reliability. If you do video and want a very good camera that just works for a lot of scenario's, the pocket is great. You can use it casually with a kit lens, onboard audio, with a baked in and good looking video LUT to lower bitrate prores footage on sd cards that can be edited on a laptop, which is what I did on holiday just now. The disadvantage the 5D3 has here is the raw conversion workflow, reliability is less of an issue.

But you can easily build up the pocket and use it in a pro environment, both for cinema as for studio or event coverage, knowing it will perform and will not let you down. The disadvantage with the 5D3 is the reliability, workflow, codec capabilities, resolutions, framerates, connection options, onboard audio, interface options...

If you like the tinkering and the alpha and the bleeding edge, ML is awesome. If you want to just go and shoot and stop worrying, grab a Pocket. It's crazy how much peace of mind it has given me.

I just want to post that the disadvantages listed on this post  are the opposite from my experience and these are actually the advantages of the 5d3 with ml
Also another huge advantage is that you have a world class still camera

But the choice is up to the individual and their needs

General Chat / Re: BMPCC 4K
« on: February 10, 2019, 08:55:05 PM »
I shoot on super 16mm film and the 5d ..There is a huge difference for me ..the 5d3 colors full frame low light...

(This is the only digital camera I use and I worked with all of them )

Camera-specific discussion / Re: Canon EOS M
« on: January 31, 2019, 08:53:34 PM »

Is the evf usable while recording on this model?

General Chat / Re: Newbie Looking for Camera Suggestion
« on: December 06, 2018, 04:58:55 PM »
By all means get a 5D mark III and load the 1.1.3 firmware on it. Then download the crop_rec_4k experimental build. Make sure to use a big, fast and reliable CF card like the SanDisk 256GB Extreme Pro. I'd also suggest getting a big fast SD card too so you can simultaneously record H.264 proxy video on the SD card while recording raw video to the CF card.
is this also working with the 1.2.3. Firmware ?

Share Your Videos / Re: My DOP demo reel - 90% ML Raw - 5D MarkIII
« on: August 10, 2018, 09:40:19 PM »
which part with the red scarlet?


for an upcoming project I need to record some footage to a monitor

Which means I have to install 1.2.3. ??(from 1.1.3.)

clean HDMI out
dual monitor support (internal+external)
AF at f/8 with teleconverters

Share Your Videos / Re: AWESOMES underwater // 5DIV + 6D
« on: May 26, 2018, 08:54:41 PM »
i've seen the same exact thing before (but different camera)

Share Your Videos / Re: Add for an App 5D MK3 ML RAW
« on: May 25, 2018, 05:28:26 PM »
what was your workflow?

Hardware and Accessories / Re: External monitor
« on: May 17, 2018, 11:21:49 PM »
do monitors work with the 1.1.3. build on the 5d3??

Share Your Videos / Re: RAW 5D Mk II - Sunset
« on: May 09, 2018, 05:28:46 PM »

what was your post workflow?

what was the post workflow?

which ML build were you using?

what was your post workflow?

General Chat / Re: Roudtable with Cinematographers (Film vs Digital)
« on: April 18, 2018, 08:30:42 PM »
love film and digital together

film thrives in the digital world

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