I was experimenting with some walklapse shots mixed with static timelapses. Mostly shot in raw using the normal TL function in ML. Some shots are done in JPEG using the technicolor PP. Stabilized with AE warp stabilizer.
Etiquette, expectations, entitlement...
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Show posts MenuQuote from: pinger007 on July 26, 2013, 07:57:21 PM
The RAW files were converted to dng sequences with Rawanizer ver 0.5.5. DNxHD proxies were used to edit the footage in Adobe Premiere CC. Once edited, the sequence was brought into Adobe After Effects CC via Dynamic Link and the proxies were replaced with the RAW footage. First light color correction was done in ACR, and additional corrections were performed in AE. All compositing was performed within AE. Gorilla Grain was added to the final output.
Quote from: Supermac on June 25, 2013, 08:32:46 PM
It's only an 8GB card which I'm using as a quick test before forking out for a bigger card. Would this make a difference? Thanks
Quote from: pulsar124 on June 25, 2013, 04:23:16 PM
Is it even worth the development effort, to use a small fraction of the 50D sensor (effectively turning 50D into a tiny sensor, consumer level camcorder), RAW or not? (I am talking about zoom RAW recording.) With a tiny sensor, you lose most of the advantages of the DSLR-based video-camera - shallow DoF and great light sensitivity.
Quote from: Andy600 on June 23, 2013, 06:50:51 PM
No NR but everything else is there including the Tracker. BMD Film settings just seem to work for me (and quite a few others it seems) and I'm using Arri LUTs for a base to grade from. The BM Film LUT is nice too but saturation needs toning down a touch.
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