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Hi Andy,

Yes color from original C100 between C100mk2 is different even it's same setting. Even Canon Log/CP Lock. Even wide DR. Both is C-log but not C-log2.
Primary color of mk2 has saturated more than mk1.
And Mk2 has cool(blue) and Mk1 has warmer color. Mk2 come video like. It's not only from WB shift I think.
I met man from Canon and asked why color was changed. He said engine is different.

I feel also log curve is bit different. But I'm really not sure and I didn't do any science test. But it's true that some mk2 user saying same.
I feel mk2 has a bit DR more in highlight but lost DR in shadow and middle. It's just I feel though. At least highlight roll off coming better.

Here is a compare movie.
https://www.youtube.com/watch?v=P6MNkV9d6FE

Someone says it's small difference but if I grading, I feel big difference.

But hey Andy, I was very busy in this half year and could back to this ML thread yesterday and surprised that Cinelog was progress so much! even I could not try yet. Finally now I'm downloading cinelog3 which was released in Jan.
So now you gonna make LUT for cinema eos? It's very nice to hear! Please let us know when it will be released!
Soon I will play with cinelog3 with 5D3 ML thanks for your work!

Hi Andy,
I bought C100mk2 and color and contrast is different between original C100.

I bought Cinelog Resolve LUT today.
Amazing... Now I don't need Light Room anymore! I was waiting this LUT in this 1 year. 
pdf guide is very kindly.
Already looking forward to see new LUT and tutorial video.

Respect to your great work.

So Here are the two grabs from the previous post.  First is the H264 cine and the 2nd is the first thing I see in Cs5 when I open up a DNG still from the same greyscale shot in raw.

Thanks again

I have same kind of problem. I can get only darker and almost grey image. I tried to many way like use raw2dng, ACR and Rawmagic, Davinci. But I could not any good result. Image is darker and grey always...

included a not great panning city scape to show the moire.
at 25second far left top corner the windows have a crazy multicolor pattern,
the rooftops to the left of the Allianz building show some strange flickering digital artifacts which i think is caused by antennas.
the side of the dark brick building center frame at 35second has very visible moire.
in resolve lite, i tried to separate luma and chroma and to blur the chroma to reduce at least the rainbow portions of the moire pattern.  all these things look worse at full resolution viewing the cinemaDNGs - the silver lining in all the compression to post videos online is that the apparent problems are reduced.

the earlier shots of the trees could have been processed (perhaps by masking the backs of the trees or could i have keyed on the tree bark color?) to keep the dark detail in a very wide dynamic range shot.
(note: uploaded a 444 prores with vimeo compression and somewhere - this vimeo gamma is much darker from what i saw on screen - at my limit for the week of uploads - so cannot be replaced)

looks to me like the 50D image can be sharpened and look very nice on organic natural shots - trees, forest , ocean, etc...
a deep focus city shot is going to require post work to reduce the moire.
basically you need to limit depth of field in a city or room with patterns.

the final shot show crop/ zoom mode at 105mm looking at one world trade center (4.2miles / 6.7km ) and 1 penn plaza (1.3 miles / 2.3 km) distance.

@rommex - you may like a documentary film "crumb" (1994) - it shows an artistic interpretation of telephone and power cables.

Very great looks! Which LUT are you using in Resolve? Especially I'm loving the color of forest footage.

Hi everyone! I got 50D yesterday and made some test shot.

http://www.youtube.com/watch?v=J2X1KqNmiDQ

I wanted upload to Vimeo but I could not.
I'm using sandisk Extreme 60MB/s.

I don't have windows so I'm using Macboot but it doesn't work well.
Camera says "script dir missing" always.
So I'm keeping ML program in my CF card.
Then it woks well.
But if I could use Macboot correctly, then it's very helpful.
I checked some tutorial movie and I did same but still ML program don't stay in camera.
Any Mac user have same problem with 50D or only me?

I don't have a time in this weekend. But I will have some free time in next week and would go to some test shot.
And gonna film more cool footage.

Please let me know if you guys have some question. I want to support each other on this board though my English is not so good. But I do my best.

Thanks a lot!