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That's the nightly build of MagicLantern. I think you'll find the raw recording performance (at least regarding the newer mlv_rec) with that version is not so polished as 1%'s TragicLantern (which doesn't have nightly builds at the moment, but has been the basis of the versions most recently discussed in this thread).

Hopefully some of the performance-related changes in TL will be integrated back to the ML source in the near future so the ML 7D nightly builds are usable for RAW/MLV.

Maybe you should still hold off a bit longer until that happens?

Thank you for the feedback. Can't I simply write the autoexec.bin file of TL to 2.0.3 nightly build to have the latest 7D raw shooting update?

Hi guys,

So I've been following the forum since first 7D alpha 1 released. And then Raw video came out of nowhere for Mark II and of course like any other 7D owner started to dream for the day that it may be released for 7D. At first, most people kept saying "Raw video shooting will never be possible for 7D because the main processor of the 7D is unhackable" bla bla... And ofc Magic Lantern community proved those people wrong again. I've been paying close attention to this specific post for almost half a year now. Amazing improvements have happened since, major thanks to Pelican, %1, g33gl and everybody else helped out.

At this point I can't wait any longer hoping that stable version for 7D raw video may be release any time soon. So I'll give it a try. I just downloaded the 2.0.3 nightly build 12/21/2013. I wanted to ask you guys where can I find the exact workflow to make it work in the camera and the workflow for post?

Best!

I really wish that Canon can issue new firmware to unlock exFAT and give 7D more write speed.

I really wish that Canon would come up with a new firmware that would allow raw video capability on default. Greedy bastards!

deleted..

So when exactly Magic Lantern development team would take action and take over this 7D RAW video? What do they need and what are they waiting for, is there some kind of code of ethic to have this on nightly builds when it is this close?

The highlight recovery is amazing, but you will definitely need a ND filter to shoot with a slow shutter speed in daylight , especially wide open

I have ND filter but I was asking for "Graduated ND glass".  Wouldn't help to recover the highlights and balance the areas where it has high contrast better with the graduated ND glass even you shoot RAW as crwn_schlr mentioned?

Guys quick question; Just recently purchased Lee kit and graduated ND glass. Since RAW video shooting hopefully(!) will be stable on 7D as well, do I still need the Graduated ND glasses or could I recover every contrast details in the post (if I set the exposure for the whole frame) without being in need for a filter glass?

lol , yes this is the 7D's H264 with cinestyle vs ML 2.5k RAW

same lens , same aperture and iso etc , different focal length since i tried to match the 2.5k 5x crop , but you get the idea 

I want to curse at Canon!! For the sake of money they are screwing people, just like any capitalised industry i guess... The hell with H 264, long live Magic Lantern!

Here , this will make you cry and never want to shoot with H264 again

Are these images form the same camera, same lens, same angle and same Focal length? Because hard to believe!!

I know I'm late to the party, but I might as well put my video from last week up. I was still using RAW burst mode at the time:

Irrelevant but I was at the parl you shot your little video the other week. Cool place

That is NOT called Flicker but its called Aliasing. Flicker is usually a temporal term.

Absolutely! My fault, I meant Aliasing...

@Ozgur

Flicker in exposure ? In the video just noted in one clip or two. I think is from ACR.

Aliasing on the lines of the court and the basketball pole and the frame... I don't know the workflow for RAW video but It looks like exporting error.

New test in raw with 1728x576 px

   


Workflow: from raw i use batchelor (raw2dng) that give me the dng's. From dng's i open in after effects, adjust some setting in ACR and make proxy's and after i edit and color correction/grade. Then just export in h.264.

First time that i work with proxy's and i love it.

I got some flicker in the sky, any one knows why? (going investigate)

Card: Sandisk 8GB - 60MB/s
Recorded: ISO 100

U get flicker all around the picture, there is not a single line without flicker :S

Hi people,

* Does anybody know what exactly is missing in 7D raw from the Raw shooting feature that is available for Mark III?
* I read someone saying it will never record continuous full HD in 7D because of the speed of its CF card reader or something?
* What exactly is this silent picture, and how is it different than RAW video capture?

Thank you!!

Does Dual Iso still only work for Still images on Eos 7D?

this was the latest raw_rec posted by Thomas worth; http://www.mediafire.com/download/17wrac41a1oi4bu/raw_rec.mo

Still needs a lot of work since live view freezes when recording starts.

The resolutions are still limited due to frame corruption in higher resolution.

Thank you Ted.

• So do you know what exactly is missing in 7D raw from the Raw shooting feature that is available for Mark III.
• I read someone saying it will never record continuous full HD in 7D because of the speed of its CF card reader or something?
• What exactly is this silent picture, and how is it different than RAW video capture?

I've looked everywhere, but no luck... Could somebody for the love of Magic Lantern tell me where to download new files for 7D raw video shooting and the workflow for FCPX?

[MAGIC LANTERN]

Hi, This is my first ever comment on this forum so it might sound rookie like but I'm wondering wouldn't it make MAGIC LANTERN happier if they work on EOS 7D for Raw shooting instead of 5D Mark III considering the fact that there are much more EOS 7D owners out there to download this amazing, time changing, Canon shivering software??