Messages

Thank you Lars, recording is fine, but for focus pulling it's a bit easier when having 1080p instead of 1080i.
I finally found a solution for the monitor: When I put it to oversan full it seems to understand the 1080p signal inside the 50hz signal. (I set the camera to output 24p)

[specs:]

not sure if this is the right topic, but here we go:

specs:
5d3 1.2.3 With Nightly.2016Oct09.5D3123
FeelWorld 760 (1080p native 7 inch). I tested the monitor and it can display 1080p from my laptop. According the specs it can display @ 50/60//24 fps

camera settings:
I set the camera settings to mirror HDMI, PAL, 1920@24fps video
magic lantern settings to default.

But even what I try it always seems to output 1080i (50/60hz) over hdmi instead of 1080p @ 24

tried:
I tried ntsc, 25 fps, 24fps hdmi output as options, but it's not helping.
is it even possible or am I missing something?

mlv is a nice too have, but not something stopping us from making great movies

Something that would really help me (and probably others) is to have a toggle to (always) enable image stabilization (canon IS) while recording. Right now I have to keep the shutter button half pressed, but I need my hand for other things actually

Awesome, I will try the mlv format when back home. Right now I am on holliday in Ireland. I shot some amazing raw scenes, which I will showcase when I am back home.
For now a test of one relaxing scene to test my workflow:

or for better quality, the download: http://www.savale.nl/files/rawTest.mp4

Since I like a shallow dof myself I prefer non crop mode. But sometimes the moire / aliasing effects are a bit annoying... On the other hand: I am very curious to see some 1920 /1080 crop mode clips with a very wide lens (8mm - 10mm). Anyone here got a wide lens to shoot some footage?

I can confirm this doesn't work in a proper way. I tried a recent (raw) build: (19 august)
To enable IS you have to keep the shutter halfway pressed. (during recording) When you release it, IS will be disabled.
It would be very nice if there is an option to always enable IS during recording. (if IS is available on the lens)

Thanks for this great workflow. I think it's the best out there for windows users. 

Hey Andy made us a new build  thanks, going to check it out asap. Can we already expect the new raw format (mlv) in this build?

https://bitbucket.org/andy600/andy50d/downloads/

@artiswar the upper ones are the original shots right? a question: did you underexpose the images on purpose?

Can anyone tell me, would a lens with Image stabilization help much?
And what is this stuttering effect on panning shots, is that a result of FPS override dropping frames, or something else?

Actually I really like the 18-55 IS or STM kitlens. On a wider angle it's easier to shoot handheld. The IS will help!

Yeah I'm back into raw 50d land I do have a brand new Komputerbay 1000x 64gb card.
My previous komputerbay 1000x 64gb was broken (actually it was already dying when I received it, but I thought my cardreader was causing the trouble...)
I just tested the latest Andy build and works like a charm. I see lots of quirks are fixed now and it's so stable:
I was able to record a 50gb raw recording 1592x892 (16:9) with raw histogram enabled. Time to record some real footage

Same problem here. 64gb 1000x fat32 formatted. I tried windows / mac / linux and all have problems reading my card. (tried 2 different card readers)
writing the card in the camera seems to go fine...

Sorry guys, less progress on this side. I guess my komputerbay 1000x 64gb is defective. I cannot get stable transfers using 2 different cardreaders (get IO timeouts) and in raw recording mode It suddenly stops recording / crashes during recording (while I have descent speed and just one star buffer)

By the way I could get my hands on the new STM 18-55 IS lens. (for just 60 euro) It's actually really nice for filming. It's really sharp for a zoom lens and the  manual focus is really smooth. I have some extra m42 mount lenses to get a shalow dof when needed, but they lack real wide angle and IS.

Here's a video I shot yesterday, walking about my neighborhood - https://vimeo.com/67793246 - I used Lightroom for most of the grade, in that I exported a few presets into ACR and then used ACR.

Nice film look! Now get some stabilizer By the way I'm sorry, I had plans to join developing, but things changed a little here so I have little time

so a Komputerbay 600x UDMA6 (min write speed 60) could be enough? It costs 1/3 than the 1000x!

according this benchmark it will work...

http://www-cameraextensionpole.blogspot.nl/2013/05/komputerbay-64gb-professional-compact.html

Known issue that needs to be fixed...

You'll always loose the dynamic range of raw / dng, but make sure you do that in the final stage only. (back to h264/mp4 for internet usage) Only problems I run into myself is the color space in after effects.

@dacssfreak: thanks for that one. The video I posted was 8bit  (bit still ok)

Hey all.

I'm a fan of ML, have used it on my 550D a lot and now am very close to decide to buy a used 50D -- all for the sake of RAW video. I also took part in 1% cam donation -- this is my token contribution to all the HUGE work that's being done here.

I have 2 questions though that bother me:

1. I see all these amazing test videos with 24 FPS. Is there 25FPS? For my work it is crucial.

2. I read the other day about the problem with electronic aperture for EF lens. I would appreciate if someone assures me that I can control my electronic aperture while shooting RAW video.

Thanks a lot people! This community is cool 

Answers:
1) 25FPS will work too, but the lower the FPS the less bandwidth is needed. Make sure you get a 1000x card and you're fine
2) I read that also, but I had no problem controlling an EF-S lens. Maybe someone else can help you out... If this is even an issue I am pretty sure it will be fixed one day

Here is my first raw test. I use to shoot girls/models, but since there was none available today I used some flowers for my first test

@JulianH:

It's a proof you should try to avoid these high iso's because of the noise and color issues. BUT it's also a proof that if you have little choice the footage is still very usable (or you can use the noise as creative effect) Thanks

Best would be to have the module specific settings saved per module (in the module directory itself). Sounds quite easy to implement. I might give it a try as first project. 

I think it's of important matter that specific needed changes for the 50d are merged to the unified branch as soon as possible to make sure there are little conflicts in the future. Then it's easier to branch of the unified code to play around a bit
Is there an overview of specific 50d stuff? Can't be that much code I guess?

@Roman: thanks for testing. Looking forward to the results

@primemultimedia
Just a guess: It might have to do something with skipping pixels. As I understand it right only a part of the sensor pixels are used.

Probably something like this:

1001001001
0000000000
0000000000
1001001001
0000000000
0000000000
1001001001
0000000000
0000000000
1001001001

when using crop mode the sensor pixels are used like this:

000000000000
000000000000
000000000000
000000000000
000011110000
000011110000
000011110000
000011110000
000000000000
000000000000
000000000000
000000000000

Where a "1" indicates a pixel is used for recording raw.

You could try to use crop mode and see if that helps.