Stills from a video currently in production:
(http://i79.photobucket.com/albums/j126/Karel_Bata/tonemapped20000000.jpg)
(http://i79.photobucket.com/albums/j126/Karel_Bata/S3D/3Dstillcompperspectivecorrection.jpg)
Gonna be awesome! ;D
Forgot to add:
2x 600D
+/-2EV
IA: 7ft and 4ft.
Photomatix
Very interesting! Thanks for sharing :)
Wow, really interesting. Per us know wherw we van see the final video when it's finished. Great work
Thanks guys! ;) I'll certainly keep you posted.
I've been at this, bit by bit since February. I only get the cameras a few days a month, and what hasn't helped is the atrocious weather lately in the UK - like one town got a month's rain in a day last week! Floods in June..? :-\
And of course there's figuring out a workflow. The way I'm going to this is keep the + and - together and not sperate them, edit then grade it as per normal (once for + and again for -), and only then seperate out the two streams and tone-map them in one go, seperating out bits that need different tone-map settings. And the stereo tools in Speedgrade CS6 should be a great help.
So easy to get disorganised with a project like this and be driven completely mad!
Now that is neat, love it 8)
how do you sync the cameras? Do you use a "twin" remote, or do you just "thumb"-sync (pushing the shutter at the same time, more or less)? If you do the latter, do the cameras get out of phase after a while?
And how do you mount the cameras? Regular side by side or one camera upside down?
cheers!