Author Topic: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit  (Read 7348 times)

crobsoft

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #25 on: August 02, 2017, 05:39:41 AM »
thank you, very beautiful image.

davilucho

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #26 on: August 03, 2017, 09:52:50 AM »
Last question beauchampy
What shutter speed did you use to shoot this video in 50p 3x3??

beauchampy

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #27 on: August 03, 2017, 02:21:43 PM »
Last question beauchampy
What shutter speed did you use to shoot this video in 50p 3x3??

No problem. 1/100.

Jesussavedjuni

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #28 on: September 26, 2017, 09:10:26 AM »
This is a marvelous video you made! One of the best I seen. I have a couple of questions. Which canon lenses did you use? How did you do your grading ( & Did you use any LUTS)?

Can you explain this more "Yep - I also overexpose. I use the ML RAW histogram as well as zebras. I expose as hot as possible until I start to clip out highlights I want detail in, then I dial back 1/3rd of a stop"?

beauchampy

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #29 on: October 01, 2017, 03:46:16 PM »
This is a marvelous video you made! One of the best I seen. I have a couple of questions. Which canon lenses did you use? How did you do your grading ( & Did you use any LUTS)?

Can you explain this more "Yep - I also overexpose. I use the ML RAW histogram as well as zebras. I expose as hot as possible until I start to clip out highlights I want detail in, then I dial back 1/3rd of a stop"?

Thanks. Lenses were Canon 24-70 2.8 II, 70-200 2.8 IS, 16-35 F4 IS.

I use Film Convert inside Resolve for colour grading. I also occasionally do sky replacements in after effects.

Over exposing - all you really need to know is that I'm using the ML Raw histogram as a kind of digital sensor meter and I like to run it as a hot as possible. Dont really care that the image looks overexposed to the eye, I just try to get the highlights as close to 100% as possible without clipping.

wangtrirat

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #30 on: October 01, 2017, 04:46:18 PM »
My Gosh! This is only the high-end camera could do this level of color detail. Excellent Cinematography and grading!!!!! Long Live 5D.
DP, Colorist, Technician
Canon 5D Mark III
Sony A7s, Sony FS7

extremelypoorfilmaker

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Re: Commercial Aditorial Travel Project - ML RAW - 50p 3x3 12bit
« Reply #31 on: October 01, 2017, 05:10:32 PM »
Great video, really dig everything about it! I was wonder if you could share the rendering settings you used :)