Regarding colorsience I would only go for Canon or Fuji! Best of luck!
Etiquette, expectations, entitlement...
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Show posts MenuQuote from: pedz on December 01, 2018, 02:51:00 AMNo not really, just check hos many exposures the the sensor/shutter made. I only by User from here on, to expensive new.. Regarding memory cards I would never buy used. Warranty is to important!
Thank you. I see them used on ebay for $700 or so. Any reason not to pick one up used? i.e. did they have minor revisions or something like that?
Quote from: axelcine on April 27, 2018, 07:44:35 PMInteresting, was there a guide that you followed? Took any pictures? Thanks!
Fast and precise manual focusing is paramount to getting the best results from the manual Samyang lenses (and old but excellent lenses from other suppliers, ie. my belowed Nikkor-S 50mm 1.4.) But with the focusing screens supplied with modern digital cameras fast focusing can be a daunting task, especially if the light conditions are less than ideal. I have replaced the focusing screens in my two 5D mark III's with the EC-B focusing screen originally designed for the 5D mark II. The EC-B has a split-image field in center of the screen - and it works extremely well with lenses better than f3.5-4. The 5DIII is not primarily designed for exchangeability of the focusing screen, but the procedure is really straight forward and very simple.
Quote from: Markus on April 23, 2018, 01:59:44 PMThanks for replying. I see the problem being much less hassle with converted DNGs of course, but since I really love MLVFS and virtual DNGs its a blast for storage and low budgets. So the solution to get it fixed again, it wasn't MLVFS but Davinci 14... Going back to 12.55 it works like a dream again.
@D_Odell
I always convert mounted dngs with slimraw and put them on disk. Working directly with mounted dngs isn't stable with MLVFS on Windows either. It was pretty stable and faster with pismo but no support except standard 14bit raw there and mlvfs has all metadata handling working correctly.
Quote from: eraizgn on November 25, 2017, 03:38:45 PMWell done. It's a nice video, well done slides and short depth of focus, or shall I say consistent choice of depth of focus. The place is nice, I did one corp vid, some time ago and the place was so ugly compared to yours, yours must have been a dream shooting in? Video had only one problem, couldn't watch it all since it's to long and too much of the same images (would love to see a 45sek to 1 min version). But if you are in for this type of work, I'm sure it's really fascinating!
any feedback & comments?
https://player.vimeo.com/video/242401462
Quote from: Kanakori on November 11, 2017, 09:29:53 PMCrop rec is determined by resolution, do you want less vertical you change aspect ratio, for example 2.60:1. Higher vertical 1.78:1 etc..
I can't find the option to decrease vertical resolution on the crop rec submenu and have the most recent build I believe. How do I opt between the two?
Also, I have a doubt that I looked around to find the answer but couldn't because I think it is too basic. Here it goes: does crop rec only work zooming in x5? I initially thought it would capture the whole frame, but then I read it is 5x zoom in liveview and actually capturing the equivalent of x3.
Quote from: a1ex on November 11, 2017, 12:29:59 AMLast time i tried there were substantial more than a few pixels when compared center crop to 3K crop rec. But it's not a complaint only wonder what everyone uses
Settings from first post, starting from Canon and ML defaults.
There's no more 1920x1080 48p in recent builds, guess whyLast time I've checked, all crop_rec modes were centered (maybe off by a few pixels, give or take). Is this no longer true?
Quote from: a1ex on November 11, 2017, 12:29:59 AMCache lockdown issue already answered.Thanks for that!
Quote from: ali farahani on November 10, 2017, 05:24:55 PMLive view only work in crop rec if you shoot 3x 1080 1:1 then you have propper framing and live view. Otherwise (higher resolutions without crop) you use Frozen LV so you at least can frame CPU power and memory isn't enough I guess..
When i set to Crop_rec 3k .. my live view is with latency. With this situation i can not focus any moving objects. I s there any way to get real time liveview in crop_rec?
Quote from: D_Odell on June 22, 2017, 09:30:27 AMStill having this problem, or is it a problem? It remains locked down when using crop rec. Do anyone know if it affect performance?
Or is it nothing to worry about?
Quote from: Teamsleepkid on October 29, 2017, 12:04:23 AM
how can you frame? i wanna use the 5x crop mode whatever its called but i can't see the framing at higher resolutions. can you see it on a monitor? I don't have one to try?
Quote from: Teamsleepkid on October 28, 2017, 11:52:27 PMso are you going to shoot 1080 or crop? what do you prefer?
Quote from: nikki on October 28, 2017, 06:01:18 AMOrgan donation institution wants several short movies about different psychological technology's when talking to victims. Inspirational videos sort of speak.
What's the project for7
Quote from: reddeercity on October 25, 2017, 08:17:27 AM
Yea I wouldn't use 5d3 if you got a 50K budget , It a Still's camera that does good Video but it's not a production Camera no matter what trick we do to the software to get raw video.
I would rent a C300 markii , C500 or even a 1DC or better yet the new C200 . Even thou the 5D3 can do 4k or very close to it you can't trust it other then short project's ,
it on the bleeding edge where anything can happen e.g. from corrupt frames to early stops , to overheating (FYI Canon "C" series has cooling fans internally) etc. ....
I know there are some that had great success in filming short's and some feature length projects but there playing with fire
as any thing could happen and you loose a day's worth or filming , is it worth it ? you be the judge . I would say run the 5D3's as backup's as there are not 100% reliable yet (if ever) .
I use my 5D2 in short news stories & mini Doc. (no more 30min) and I always have some issue , yes I know you are talking about a 5d3 here and I have a 5D2 but the point is even thou I know
100% that I can record crop mode 2144x1076 24p continuously (10bit) without problem I still have at least 2 other cams recording . 1 for different angle and the other for backup on the same angle of the 5D2 , as I had early stops for no reason (maybe got hot no sure) but I was covered from the B-cams . What ever you do have a mind set that the 5D3 could always have problems and needs to be monitored by a experienced user at all times to avoid pit falls .
My 2 cents worth
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