Messages

@IDA_ML Thanks, i used exposure of 10-15 seconds in the dark with lenses of  f/1.4 with silent pictures sometimes 30 seconds with f/2.8 but not with silent in the early morning 10 seconds and ND filter with silent and all the  lenses

Thanks yourboylloyd, yes all the lenses used was setted manually to infinity focus

I guys i want to share this Timelapse Shoted at 5760 x 3840
With my Canon 5d Mark III
also with ML intervallometer and ML Silent Pictures
in north west of Italy near to the French border
Hope you enjoy.

allemyr

this is a mining area where there was a mine and the Magenta you see is that of the iron contained in the rock.
Anyway if you want to do better i can share original file
so you can show as wath do  you mean

allemyr

I always start to grade dng from flat image
without any lut maybe you don't like
my grade or you can't image original file
how they was before, but i will never give up to use
grade my file specialy now that davinci resolve
has done an amazing job with version 14

Definitely the place deserves a better effort, and the quality of 5D III + ML should allow that

Thanks for the reply
We look forward to seeing your video tests

I guys i want to share this beautifull place in 3k 16:9 14 bit lossless Raw video test
Hope you enjoy.

Sequence shot with 5dMK III
magiclantern-crop_rec_4k.2017Aug22.5D3113
Global draw on
Preview: Frozen LV
DNG 14 bit lossless images resolution: 3072 x 1660 - 24 fps.
Graded and edit in Davinci resolve 14
Irix 15mm f/2.4

Thanks hjfilmspeed

I followed your video with the exact settings but encountered 2 errors described below. I also then tried Full-resolution LiveView: 5796x3870 at 7.4 fps and got the same errors. The attached images are the settings for "full-resolution LiveView: 5796x3870 at 7.4 fps"

MY SUMMARY:
I tried the following :

1) video settings by Jonathan DeNicholas (https://vimeo.com/217313287#comment_15952088) How ro Record 3k on 5dmkIII with Magic Lantern
2) Full-resolution LiveView: 5796x3870 at 7.4 fps (128ms rolling shutter) - continuous*) at 5 FPS! - seeting at  14-bit lossless compression mode (LJ92), preview set to Frozen LV (previously known as Hacked Preview)

For both scenarios above the movie recorded and I extracted the DNGS using MLV convertor but could not open the DNGS in Photoshop CC 2017.
-The error was "Could not complete your request because the file-format module cannot parse the file." , see   attachments
- In bridge I can see each DNG file has many dots of different colors. ." ,  attachments

Try to turn off fps override, i've never used it when i shoot in full resolution

This idea is actually useful for House Realty Marketing. No moving subjects. Just nice slow pace of gimbal work in 7.5p plus twixtor in post should be doable.

Thanks for sharing @baccinoluigi and care to share which setting were applied within the Twixtor plugin in AE?

I used default setting for twixtor
changing time speed in 33,333% and frame interpolation set to : Motion Weighted blend
Gpu rendering: ON

@walter schultz: Ok. I kind of get what you're saying. What I don't understand then is how does this plugin help? Again, I don't understand most of this, it seems like if it's shot at 7.5 fps, then there would be "information" missing keeping one from making "real time" equivalent footage (for lack of a more accurate way of speaking).

One other thing @baccinoluigi (or whomever, I suppose, so long as someone can explain this to me):
I've noticed in a lot of raw 4k/3k/etc. footage on youtube from ML that a lot of moire persists, yet I don't see that in your footage. Neither is yours the first which I have noticed a relative lack of moire, so I'm wondering if there is an element of your post process that is different, or if you (or in general) different settings on the camera can prevent this. Thanks.

If you shot at 7,5 fps and you put the shot on a timeline for every software the minimum you can get it's a timeline at 24 fps so the shot it's about 3 times faster.
So with twixtor you slow down the time at about 33,333% to get right time

I guys i want to share my first 6K 14 bit lossless Raw video test
Hope you enjoy.

Sequence shot with 5dMK III
magiclantern-crop_rec_4k.2017Apr21.5D3113
Global draw on
Preview: Frozen LV
DNG 14 bit lossless images resolution: 5784 x 2624 - 7,5 fps.
Downscaled to 4K
Graded in Davinci resolve 11
Retiming made with Twixtor in After Effects,
Compiled in Premiere pro CC
Canon 24-105 f4 IS

I guys i want to share my first 4K UHD 14 bit lossless Raw video test
Hope you enjoy.

Sequence shot with 5dMK III
magiclantern-crop_rec_4k.2017Apr21.5D3113
Global draw on
Preview: Frozen LV

Canon 16-35 f/4 is
Image Resolution 3840x1440
Graded in DaVinci Resolve
Edited in Premire Pro CC

i did. still no luck. its 3520.
Im not concerned or obsessed with 3584 at all. there is not much difference between 3584 and 3520! im just wondering why people talk about 3584 while there is no such thing shown in my menu.

ML -->Movie -->Raw Video -->Resolution  when you're in resolution without open menu scoll the wheel on top or move the joystick left and right you should increment or decrement vertical resolution of 16 pixel each time you move it

Try this build
https://bitbucket.org/daniel_fort/magic-lantern/downloads/magiclantern-raw_video_10bit_12bit_crop_rec.2016Dec24.5D3113.zip
or
https://bitbucket.org/daniel_fort/magic-lantern/downloads/magiclantern-raw_video_10bit_12bit.2016Dec20.5D3123.zip
But  if you  want to change resolution when you are in the menu with 3520x 1320
use the wheel on top of the camera for increase or decrease resolution

It only shows "3520 x 1320" on my 5d3. how do you get "3584 x 1320" option?

When you are in the option menu with 3520 just scroll the wheel

Problem with this shooting scenario : You can't get the liveview with correct framing once you hit record. It will show corrupt noisy glitches frames. And can't playback too.

With this build you can playback 10-12 bit video : https://bitbucket.org/Dannephoto/cr2hdr/downloads
better use it only for raw video not  raw video (mlv) is more stable

@Danne
Tested on my 5dMkIII 10 and 12 bit
it works great
Thanks

@a1ex

Is the issue specific to a particular build, or all of them are buggy?

The issue it's just in the build downloaded here : https://bitbucket.org/Dannephoto/cr2hdr/downloads
whith raw_twk.mo for 5dMkIII

@Danne

Tested again but mlv_rec and mlv_lite have the same issue

14 bit is more stable

Will check later. Most greatful.
If anybody wants to try here are builds for 5D mark III and eos m with latest stuff. Raw_twk.mo included.
Briefly tested. If anything breaks you get to keep all pieces.
https://bitbucket.org/Dannephoto/cr2hdr/downloads

Hi i tested the last build on 5d Mark III sometimes it work correctly
but often the video is completely black
i send you a dng : https://www.dropbox.com/s/odn6xxrubhup6hz/M28-1717_000000.dng?dl=0

Great video!!! Thanks for sharing! Love the place and the takes. Yo can go all the way with colors without any remorse. Believe me, RAW have great color latitudes without going all saturated. I think that you can render using h.264 without any notice in loss details, just go with a high bit rate, like 20,000+. Please use tripode next time!!!

I will

@baccinoluigi, are you saying that you got liveview during recording ?
I've tried (on the 6d) the latest raw_rec module from 20 november, and during recording liveview freezes...

I don't know about 6d with 5d Mark III everything works correcly like normal nightly
the only thing is video preview thath at moment is not working
try to see the 12-10 bit Topic from some 6d tester http://www.magiclantern.fm/forum/index.php?topic=5601.400

I don't see the video, can you add the link? thanks

https://m.youtube.com/watch?v=uas3yMCvUeI

@teatotalTed, I was keeping camera by hand so sometimes
stabilizaion software cannot fix it at best, anyway Davinci has a good stabilization
without losing detail.

@Levas, yes it works in live view, shooting at 3200 x 1200 at 23 fps you can get continuos video, to see more detail on YouTube I use to upload a prores 422 video it's longer  but it works the video was 29gb in prores 422,  3 days to upload it