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Shot on Canon 5D3 magic lantern Raw at 50fps 1920 x 960
Tiltamax G1 Gimbal
Cinema DNGs processed in AE using Cinelog-C
Edited and Graded in premiere pro using Film convert and [CFL] ARRIScan Universal Film LUT.

https://vimeo.com/266066368

Hi again...I'm learning a lot from you ML folks...Very thankful of that

Shot on Canon 5D mark iii ML Raw / 12bit
MLVs converted to DNG using cr2hdr.app
DNGs converted to CineLog-C in After Effect/ exported to prores444
Edited and graded in premiere
Tracking elements done in AE
Lens: EF24-70 2.8 II / EF70-200 2.8 II / Handheld (no rig)
Light: 2 x LED 1000

https://vimeo.com/236414015

Hi Magic Lantern folks!

Shot on Canon 5D mark iii ML Raw / 12bit
MLVs converted to DNG using cr2hdr.app
DNGs converted to CineLog-C in After Effect and exported to prores444
Edited and graded in premiere
Tracking elements done in AE

https://vimeo.com/234664678

Location: North of Iran - Amol
Handheld Shot on a Canon 5d3 Magic Lantern Raw (no rig)
EF 50mm f1.8

https://vimeo.com/192489815

Hi

Just a quick slow motion test with a little basic lighting.

Shot on 5D Mark lll with Magic Lantern Raw @ 67fps - 1920 x 648 (stretched in post to get the1080p) - 1/914 sec - f4.5 - ISO800 - EF24-105L @ 85mm
Slowed down in After Effects using Twixtor Pro.

Thanks for watching

https://vimeo.com/149760933

Shot on Canon 5D3 with Magic Lantern Raw (1920 x 1280)
Lens and Gears: EF 24-105L f4, EF 50 f1.4, small dolly skater, 1* ED 336 , 2* 1000W Tungsten with 60 x 90 soft box, SanDisk 64Gb 160m/s
Mounted *.MLV files using MLVFS in windows. DNG files processed in After Effects using ACR and VisionLog then exported as DNxHD 10bit . Imported in Premiere for Edit and Color Graded with Osiris LUTs.
For Camera Tracking and match moving i used PFTrack and After Effects. Then imported AE comps into PP using Adobe Dynamic Link.

https://vimeo.com/143964815

My first project with Magic Lantern

Shot on Canon 5D3 (MLV 1920 x 1280)
EF 24-105L f4 , small dolly skater, 1*LED 336 , SanDisk 64Gb 160m/s
MLVs mounted in windows using MLVFS
DNGs processed in After Effects using ACR and VisionLog then exported as DNxHD 10bit . Imported in Premiere for Edit and Color Graded with Osiris LUTs (M31)

your criticising comments will be highly welcomed!

https://vimeo.com/133994527

Hi

I have an edited clip in Premiere for which I'd like to link the original audio (MLV's wave). Is there a way I can pull in the .wave audio and have it respect the in/out points that are in my edited file?

Thanks