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Messages - Psico2002

#1
Dear friends:

I would like to share with you the videos that I have uploaded to my YouTube channel: LOMA Productora Audoivisual (Uruguay):

I mainly use magic lantern for everything I do. I am very grateful for this tool ... Thanks to the developers!

I hope to see you guys.

Please leave a comment with suggestions, I will appreciate it.

Links:

Channel:

https://www.youtube.com/channel/UC8KzEp9STsZVYhTz-DCTtMw



Some videos:

https://www.youtube.com/watch?v=CXd7f7g4FZk

https://www.youtube.com/watch?v=-bez5BPlf_Q&list=PL_dZQ11kvxl9DHniGK3zoiRfRSEpyXa_b&index=4


Thanks in advance!

Franco.

#2
Thanks man kyrobb!

I know it might sound a little stupid of me to ask this, but, I can't find any options for sharpness in ACR; just contrast.

I'm missing something?

I'm from Uruguay and I have spanish version of ACR isntalled, and it's only "Contraste", no option of "Nitidez", which is the translation of sharpness.

Thanks in advance!
#3
General Chat / About extreme sharpness in ACR
August 14, 2017, 01:44:12 AM
Hi.

I've working for a while with a loseless workflow wtih Premiere Pro and AE (with ACR).

I read everywhere that the ACR things like this:

"But definitely don't colour your CDNGs directly in Premiere as its debayering is pretty poor. ACR gives best results but is very slow." Re: The CinemaDNG Discussion (raw2cdng). « Reply #1359 on: February 10, 2017, 02:44:10 AM »

I just want to have the BEST results, and I don't care how complicated or slow it can get, so for me is no problem to use ACR despite it might be very slow.
The thing is that every time a open ACR and replace de clip (a proxy clip from Premiere that is linked to AE), ACR adds an incredible amount of sharpness to the clip. I hate that. The overall look of my clips after that, is just ugly. I have great colors but I loose that distinctive look that we all to see on clips shooted with hi ended camera: flat and subtle soft images.

Any ideas why that this happened?

Thanks in advance guys!
#4
Quote from: hyalinejim on February 10, 2017, 02:44:10 AM
Premiere doesn't use ACR to import DNGS as it's expecting cinema DNGs which are different to "photo" DNGs. The metadata fields where the Lightroom adjustments are stored are not recognised in the Cinema DNG format.

Your best bet is to import them as image sequences in After Effects, where ACR will open for each sequence. It will apply the settings of the first file in the sequence to the whole clip. From there you can export to a lossless codec and edit in Premiere. For maximum flexibility use Cinelog DCP to generate 444 log masters, rather than using ACR's controls which are adaptive and not absolute and therefore introduce flickering. So you have to be careful about most of the shadow/highlights/contrast sliders if you want to use ACR.

Alternatively put all the Cinema DNG clips in a sequence in Premiere and do the same in After Effects. Nest that sequence to edit in Prem. When you're done, do the colour correction in After Effects and import that comp into Premiere, placing it on the track above your first sequence. Your edit will now have your colour correction applied.

Neither of these workflows are particularly straightforward, or fast. Another option is to use Resolve to generate log masters, which is pretty fast. Set your timeline to Cineon gamma and Alexa gamut. But definitely don't colour your CDNGs directly in Premiere as its debayering is pretty poor. ACR gives best results but is very slow.

Hi.

I've working for a while with a loseless workflow wtih Premiere Pro and AE (with ACR).

I read everywhere things like this:

"But definitely don't colour your CDNGs directly in Premiere as its debayering is pretty poor. ACR gives best results but is very slow." Re: The CinemaDNG Discussion (raw2cdng). « Reply #1359 on: February 10, 2017, 02:44:10 AM »

I just want to have the BEST results, and I don't care how complicated or slow it can get, so for me is no problem to use ACR despite it might be very slow.
The thing is that every time a open ACR and replace de clip (a proxy clip from Premiere that is linked to AE), ACR adds an incredible amount of sharpness to the clip. I hate that. The overall look of my clips after that, is just ugly. I have great colors but I loose that distinctive look that we all to see on clips shooted with hi ended camera: flat and subtle soft images.

Any ideas why that this happens?

Thanks in advance guys!
#5
Hello.
I'm working on W10 and for some reason I haven´t been able to make cr2hdr.
Any ideas on this?
Thanks in advance!!!
#6
Hello. First of all, sorry for my bad english, I´m from Uruguay, South America.
I´m a great fun of magic lantern. You guys are the best!
I´m starting to use cinelog-c and I read this in their page:

"Cinelog strongly recommends users of Magic Lantern to only use MLVFS or raw2cdng for extracting DNG images. We also recommend users only shoot raw video using the MLV REC module as it has deeper metadata support than the original RAW REC module."

I trying MLVFS and it's beatiful, really I´m loving it, but I have to be cautious about it 'cause I I've read of people having trouble with when it comes to big projects. So I´d like to use raw2cdng but I cannot extract manually 1 tb of files. So my question is:
Is there any batch processor that is based on raw2cdng? I use Rawflow (a great batch processor that also gives you small proxys to edit directly in premiere) but since I read that in cinelog page I started to doubt about the metadata Rawflow is givingme.

Thanks in advance!
#7
Raw Video / Re: Help: Noise in the shadows
March 24, 2016, 08:44:53 PM
Thanks to you all my friends. Every tip and every advice is more than helpful and welcome!
See you!!!
#8
Raw Video / Help: Noise in the shadows
March 23, 2016, 07:47:49 PM
Hello to you all!
I m having a lot of trouble shooting images with a bit of dynamic range. The last video I shot I thought I had made a great exposure for the scene (with a little shadows in the corner, and some highlights), and for my surprise, in post, i realized may shadow was noisy and grainy. Can anyone help me with some tips. I would really love to be able to have black parts in some shots but I cannot do that because everything that is shadow or black, gets noisy.
I use a mark3 and 24 -105 kit lens (at f4).
Thanks a lot