Short commercial done with ML 10bit and 14bit. One lens Zeiss CP.2 35mm and one shot with Canon IS zoom. Shoot in 2 days, then edited with little freedom from client, would have cut more off beat if it was up to me. Given the tempo of the music thous beats it nearly brook my leg.. The last shots with the cargo truck and at the harbor was nearly ungradable. Had mistakenly kept inside tungsten WB whiteout seeing it, I can say, RAW didn't help much there. Those differens in post work messed up the image..
But the team effort was great and justified to pull this of, either me or them weren't given much of a budget so more or less minimum pay.
Also some DJI shots to steer the pot.
Workflow: MLV/MLV lite, MLVFS - Davinci ProRes - FCP 7 - XML - Davinci grade and export.
https://vimeo.com/203030316
(http://forumbilder.se/G7DS1/cibes.jpg)
I´m just want to start doing film jobs so I´m a little bit curious how much "minimum pay" is? and btw I really enjoyed your video!
Since you are Swedish there is http://teaterforbundet.se/kollektivavtal/film-tv-och-radio/film-tv-och-videoinspelning/ also sent you a PM.
Thanks!
Ok--so which shot was with the Canon IS zoom? Did you fly with that Zeiss CP.2 35mm?
Just kidding, nice work!
Quote from: dfort on February 08, 2017, 04:55:15 PM
Ok--so which shot was with the Canon IS zoom? Did you fly with that Zeiss CP.2 35mm?
Just kidding, nice work!
Actually the 35mm is really an adequate field of view lens, if one lens solution. You both have field of view and when needed depth of feeld. IS only needed from the car facing the cargo truck.
Loved it! All ambient light?
Quote from: Simonwb on February 09, 2017, 08:17:49 PM
Loved it! All ambient light?
Yes, strong fluorescent inside. But would if I would have had more time on set, brought some HMI or LED panels. Cheers!